What makes a great movie?, was Re: James--Biggerstaff as Wood/Flight Scene
Joywitch M. Curmudgeon
joym999 at aol.com
Mon Nov 19 16:38:43 UTC 2001
--- In HPFGU-Movie at y..., "Cindy C." <cindysphynx at h...> wrote:
> Luke wrote:
> > Maybe I
> > misinterpreted your reply and you meant that you do have a strong
> > enough impression of Wood's personality; you just don't mind if
> they
> > change it a little in the movie?
>
> Luke, I think you hit the nail right on the head. I have read all
of
> the fabulous reviews, impressions and criticisms on the list, and
one
> idea keeps surfacing. To the extent most listies have criticisms
of
> the movie, it is that their favorite lines of dialogue or scenes
were
> omitted. "Are you a witch or not" is a frequently cited example.
> This omission doesn't bother me at all, and as I've said, I wish
more
> had been cut to focus better on what mattered.
>
> But why do I feel that way, and hardly anyone else does? Your
> observation provides the answer. I think deep down, I was hoping
for
> more "new material" and changes to the book. For me, the book
> exists, it is static, and it is what it is, for better or worse.
> Seeing the setting come alive in the movie was new and exciting,
> that's true. But seeing the actors say the very same dialogue in
the
> books isn't very interesting to me
I think I know what you mean, Cindy, although I get the feeling that
you were disappointed in the movie, while I was not. To me, a great
movie can be made from a great book only by adding to the vision of
the author, not by merely repeating it. Columbus, for the most part,
translated SS/PS into movie form. That was fine, for me, and what I
expected, but as I think I previously said the movie IMO was a good
visual depiction of a great book, but not a great movie.
A good example of what I'm talking about is the book Little Women, a
favorite of mine and a great book of its kind, although not really a
literary masterpiece, I suppose. Several movies have been made from
it (including one really horrible one with Elizabeth Taylor), and two
of them were really great (again IMO). The first was made in the
1940s, with Katherine Hepburn, and the second was made in the 1990s
with Winona Ryder. These two movies are completely different. The
first is a tear-jerking, homey family-oriented story, whereas the
second is much more of a character study/period piece. Neither one
is inaccurate, neither one makes things up that are inconsistant with
the books. Both these movies interpret and add to what the author
created in a way that greatly increased my enjoyment of the book when
I subsequently reread it.
I think that's why my previous post focused on the things about the
movie, like the Hogwarts Express ticket, the keys, etc., which
increased my understanding of the books, and why, to me, the most
enjoyable parts of the movie where those scenes which, to me, added
something to my vision of the Potterverse. That's why I loved all
the scenes with the Dursleys -- the movie added some great funny
moments and made them even more disgustingly Dursleyish than JKR
had. And both Robbie Coltrane and Alan Rickman were more vividly
Hagrid and Snape because they were interpreted so well. These
aspects of the movie were, to me, great. But the characters and
scenes, like Dumbledore, and the hospital scene, that simply wandered
off the pages of the book and walked around in 3 dimensions for a few
minutes, were simply good (and really cool when they had good FX) --
but not great.
--Joywitch
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