POV Shifting in the Film
Cindy C.
cindysphynx at home.com
Tue Nov 20 20:40:31 UTC 2001
A while back, we had a discussion of the various shifts of point of
view in the books. The upshot was that the books are told mostly
from Harry's POV, except when it is impossible to do so.
Obviously, the movie cannot be shot entirely from Harry's subjective
POV, although it was shot largely from his perspective. Mostly, we
follow Harry around.
But there were a few exceptions. One was as the owls are delivering
the letters. We get a wide shot of the house with owls all over it.
In the book, of course, we don't learn how the letters get there,
because Harry doesn't know. The filmmakers didn't feel constrained
to stick to Harry's POV, so we got a very nice and effective non-
Harry POV shot.
The other exception I noticed was with the invisibility cloak scene.
One shot is Harry holding the lamp, so we are following him around
from the outside. Then we have a shot of him under the cloak (IIRC),
which is a bit more intimate, but we're still just following him
around. But then we have the shot of Snape, which is totally
subjective from Harry's POV. I thought this worked well.
But I also wonder if there was any other practical way to shoot the
invisibility cloak scene. We can't have a typical "follow Harry
around" shot because Harry's invisible, and the viewer wouldn't
understand Harry's proximity to Snape. So the POV shift worked well,
and it may have been impossible to do it any other way.
Although this is only tangentially related to POV, I also found it
interesting that the filmmakers chose to show Harry under the cloak
with his arm and lantern sticking out. I guess they did this so that
the viewer could keep track of Harry. But maybe it really isn't very
realistic based on canon. If someone sees him with the lantern, what
does he do to remain concealed? If he brings the lantern under the
cloak, does it become invisible too (assuming Harry doesn't set
himself on fire)? Does it continue to light his surroundings?
(Maybe it should, because we know from canon that sounds and smells
permeate the invisibility cloak). If so, then why does he hold it
out in front of him?
Anyway, did the filmmakers make maximum usage of the ability to
deviate from Harry's POV, and were there places where they could have
used POV shifts to greater advantage?
Cindy
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