Child actors/hand flapping
GulPlum
plumeski at yahoo.com
Wed Nov 13 19:04:11 UTC 2002
Spoiler-free for a change.
skyw1ngs wrote:
> Anyway, after PS/SS I also read a review about the kids' acting. It
> said something to the effect of "Well, y'know they're just kids and
> they have lots of time to improve with the later movies..."
> Personally, I thought that even in PS/SS they were all great. Sure,
> there are a few moments I thought needed more attention, but
> considering the fact that they are that young with not a lot of
> experience and doing such a great job already, wow!
That's the thing about child actors in their first major roles:
expecations of thespian ability are low (and kids are normally cast
for their looks anyway), so other things are usually highlighted in
their performances.
Take the example of one of my favourite movies ever, "Stand By Me",
which relies on four 12-14 year old actors giving believable
performances. Whether or not those kids were more talented than the
Trio, I don't know, but director Rob Reiner had a very different
approach to Columbus's, which had a visible difference. Before
shooting started, he took the boys on a camping trip for 3 weeks (for
those who don't know that movie, the action takes place over a
weekend camping trip), during which time they discussed their
characters, played out scenes, did improvisation games, just got to
know each other (the characters were best friends and had grown up
together), etc.
Most of the film consists of unbroken 3-4 minute and sometimes longer
tracking shots (SBM required less frenetic editing than that for the
HP movies). From what I've heard about the making of PS/SS and CoS,
getting the kids to stay in character for more than a few seconds of
screen time was a huge problem. Certainly Columbus's self-confessed
permanent egging on of the actors to get them to do what was needed
was completely absent from SBM (and would have been impractical),
except for a sequence when Reiner deliberately engineered a row with
and put the fear of God into Will Wheaton and Jerry O'Connell when
they were meant to be terrified (whatever they did, it worked - Jerry
O'Connell later admitted that he was so scared he actually wet
himself). :-)
All of that digression really serves to indicate that with child
actors, a director's approach and the amount of preparation makes a
HUGE difference.
Back to the subject, though. I wouldn't go as far as to call
Daniel "mediocre", nor would I call him the "weak link" in CoS - that
regrettable honour goes, as I've said before, to Rupert. See previous
posts for elaboration. However, Daniel (and especially Columbus) rely
far too much on his (admittedly very expressive) eyes and smile. The
problem arises whenever Daniel has to *say* anything.
As for the "hand flapping", I don't really see that problem in either
movie. In fact, IMO the opposite is the case. Columbus's preferred
medium shots are chest-upwards, but on those occasions when he has
reason for full body shots, Daniel generally stands there with his
hands stock rigid at his sides.
Daniel (and Columbus) should take a leaf out of Jason Isaacs' book -
being the consummate screen actor he is, I don't find it in the
slightest bit surprising that he asked the costume dept. to give him
a stick - it gives him something constructive to do with his hands.
Several years ago, I saw a screen acting masterclass conducted by
Michael Caine. He explained that this is why in all his early parts,
he insisted on smoking whenever he didn't have anything else to do
with his hands. It had nothing to do with being addicted, but a lot
to do with not having to worry about what his hands were doing.
> Firstly, I was swept away by Emma's performance. She isn't like
> Hermione, so totally embodying the character is an impressive feat.
Actually, from what I've heard from a friend of mine who knows the
Watson family, Emma is very much a prim little Miss Bossyboots. :-)
She's not academically gifted (in her interviews, she focuses on
problems with Hermione's long words), but character-wise, they are
very close.
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