Setup for OOTP
susanbones2003
rdas at facstaff.wisc.edu
Wed Nov 30 21:18:21 UTC 2005
--- In HPFGU-Movie at yahoogroups.com, Richard <hp at p...> wrote:
>
Richard wrote (and I snipped)>>
The movies *have* to stand alone, and in particular PoA, GoF and
OotP, which are/were released at 18-month intervals, with an
attendant drop in hype between releases, and the valuable teenage
demographic getting older and potentially losing interest. I suspect
that Heyman & Co would like to release the last three movies as
close to each other as possible, with no more than a year between
them. Partially to keep up the momentum, partially to avoid the
Trio getting too old and partially (being realistic rather than
cynical) wanting to avoid the possibility of some of the older adult
actors meeting Richard Harris's fate before the series is done At
the same time, though, the movies should not waste time or internal
> coherence reiterating plot elements from earlier in the series or
setting up for the future unless strictly necessary. The movies
don't need to lay down the same clues, or in the same order, as the
books, although I'm sure that if (my eternal gripe) the adapters
knew the details of what was coming up, they could write something
more appropriate to the different medium from the outset - although
even the smallest deviations from JKR's plotting have met with
derision from some part of the fandom or another.
>
> Overall, given the constraints under which the movies are being
made, I
> think they are doing an admirable job of keeping the whole thing
> homogenous, despite, for instance, the changes in visuals (e.g.
uniforms and Hogwarts geography), not to mention a very different
> Dumbledore, between the first two movies and what follows: it'll
be interesting to see if Peter Yates changes anything more (although
I'd expect not).
>
> --
> Richard, who's beginning to ramble (again...)
Richard,
Of all the books, this next one is the least able to stand alone in
as a novel, at least that's how it strikes me. There's a million
things going on, with lots of preparing for things and tying up
loose ends. (and with FULLCAPS Harry, he isn't as cuddly as he used
to be) How is this going to affect the adaptation? Is this why,
(again in your humble opinion:))treating the films as stand alones
is not just an option but perhaps the only option? If you can't get
Jo to tell you what matters most (just what shouldn't happen) you
have no compass and you have to fly blind. Make the best story with
what you've got, I meant to say... And did I read that this too is
going to be treated in the "thriller" mode? It makes sense, of
course. Maybe there are only 3 main threads that have to be worked
in to make this a reasonable story. Umbridge/Harry, Harry's
dreams/legilmens with Snape to stop LV and then the build-up to the
showdown at the MOM, resulting in Sirius'death. Does that sound
workable?
J
>
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