[HPFGU-Movie] OotP MOM scene
Valerie Flowe
valerie.flowe at verizon.net
Mon Aug 13 11:57:53 UTC 2007
I was rereading the dramatic Voldemort/Dumbledore/Order climactic
chapter in OotP last night. I wanted to see how different it was from
the movie. I was happy to see that some of the dialogue was directly
lifted from the book.
Ex: when Sirius says "Good one!" to Harry. Of course he didn't add the
"James" in the book, though, IMO, that was a somewhat weak afterthought
attempt to show how Sirius is relating Harry too much to James. I wish
they had left the fire-talk scene in there for clarification. Ah well.
Also when Dumbledore says "You shouldn't have come here Tom. The aurors
will be here any minute now."
We know they left an awful lot out like the spinning room, the brains,
those glass bell jars. (I was kind of looking forward to seeing that
guy's head turn into a baby head. Ewww, creepy!)
I hadn't remembered that when Harry was chasing after Bellatrix he
opening a door and fell into a void. I guess that is what that scene in
the movie was loosely supposed to be. When all the kids fell through
the void and stopped a foot above the ground.
I think the narrative worked better in that the flow from room-to-room
in the ministry was more easy to follow. It was very simplified in the
movie, in that it all took place in the prophecy room or the Veil Arch
room.
The kids and the Order got beat up quite a bit more in the book.
Hermione knocked out; Jenny too; Neville's broken nose, Tonks falling
down the stairs, etc.
I do however think that the scene between Voldemort and Dumbledore was
waaaayy more spectacular in the movie, as well as Harry's possession.
Though I wish they had left the part in where Voldemort-in-Harry says
"If Death means nothing, than kill the boy, Dumbledore." That was very
disturbing in the book, and would've shown the supreme angst that
Dumbledore faced in having to make a choice between wanting to rid the
wizarding world of Voldemort, or protecting Harry. This as we know,
plays heavily in DH.
Valerie
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