Plagiarism and Hermione...
Ebony AKA AngieJ
ebonyink at hotmail.com
Sat Jul 28 00:07:09 UTC 2001
Hi, OT-Chatterers... here's something that may be of interest.
This week in my theatre course here at Corpus we are studying several
plays that are currently running. One is called *Jubilee*, a
production commissioned by the Royal Shakespeare Company to
commemorate the 1769 Jubilee Celebration of the Bard at Stratford-on-
Avon, at a time when he was not nearly as popular or canonical as he
is now. The action alternates between three time periods, but most
of it takes place in 1769. The play was written by one Peter Barnes,
who has been cited by the Times as one of Britain's foremost
humorists and playwrights.
One of the minor characters, a serving maid at a brothel, is named
Hermione. (As the play is c. 2001, did Barnes name this character
after the HP character, the character from mythology, or the
character from *The Winter's Tale*?)
I will get to the plagiarism issue in a moment. Here are some lines
from this rustic "serving maid" who is constanly critical of this
1769 Jubilee:
********************
>From I:ix--
Hermione: Since you asked, why celebrate Shakespeare? What if some
poets soar high enough to hear the music of the spheres and write it
down and Shakespeare is one such transcriber? While you celebrate
him, the real world is being forgotten for a verb or a non. Life...
listen to me... life is a series of lessons which must be lived
through to be understood. What does Shakespeare know of the terror
of my life, a slave to fetching and carrying? Don't cry over his
verse, cry over my life. Celebrate me, not that scribbler who is
rotting in the earth. He doesn't need your flags and your trumpets.
Celebrate me! Celebrate me!
>From I:x--
Hermione: They aren't doing it for Shakespeare, but for themselves.
If he lives, perhaps they will too. It's natural. It's the wish of
every human being not to be forgotten. The universal secret, from
which all other secrets spring, is the longing for more, much more
life. But immortality lasts a generation for most of us. We're
remembered, if at all, by our children. We're buried in our sons and
daughters. Generations pass while trees grow tall. It's vanity to
think that any names should last.
<snip!>
Hermione: How many poets wrote in the former age and yet the works
of scarce--what?--one in ten thousand remain. Neither their books
nor their bodies persist and after every Jubilee their shadows are no
longer than before.
Mrs. Ross (the madam of the brothel, to whom she is speaking):
Men're too weak to face the truth, women can. We begin to die the
moment we begin. Our days add up by tiny accumulations to one long
night.
(The next is my favorite line in the whole play...)
Hermione: And we'll never know what song the Sirens sang, or what
name Achilles used when he hid himself among the women.
****************
I was so enthused about that line, and this very philosophical
character appeared in what really is mostly a second-rate romp. Fun
but not all that deep... and this Hermione character added what I
perceived as depth.
I was enthused, that is, until my tutor for this session (another
Oxford guy) told us not to be impressed.
"It's blatant plagiarism, really," he says. "Barnes lifted that line
without attribution, and several others."
So our tutor then hands out a few copies of an excerpt from *Urne-
Burial*, by Sir Thomas Browne. Written in 1651, this text is a
rather obscure essay on how the ancients buried their dead. Sure
enough, most of the above is found somewhere in this dusty text that
no one but scholars read anymore.
Our tutor's field is seventeenth century British literature... but my
American colleagues and I have come to the conclusion over pints that
this man knows absolutely everything. He is completely intelligent
and conversant on just about any subject, which is why he teaches at
Oxford, I supposed.
Anyway, we asked if we ought to blow the whistle. After all, this
play just opened in Stratford a week ago. Although Browne's work is
now public domain, we were horrified that he hadn't done an
attribution. It'd be different if the text in question was something
like the Bible (which needs no attribution, really) or he wasn't
making any money off of it (I personally wouldn't have minded so much
if his play had been fanfiction or not-for-profit) or even if he'd
lifted only a couple of phrases or lines instead of whole paragraphs.
And secretly I thought it ironic that my favorite character in HP
canon, one who would *definitely* blow the whistle in this case, had
a namesake in this play who was the mouthpiece for this transgression.
"No, no," he said with a smile. "I just want you to read the
original source." (Groans.) "Let's just keep this among friends."
But I did ask my tutor if I could share it with all of you.
The moral of this story is... I'm not so sure that it has one.
Except that I am tired of Stratford, having been there several times,
and am almost all Shakespeare'd out. ;-)
At least I got a good sig quote out of all this. ;-)
--Ebony
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