TiP and My Favorite Novel (was: TiP and Camelot)
Laurin
lyorkus at yahoo.com
Wed Nov 28 18:04:20 UTC 2001
--- In HPFGU-OTChatter at y..., "Ebony" <ebonyink at h...> wrote:
> Author of TiP here... *yawns*... when you look at canon, I quite
> agree with the Harry=Arthur parallel. But then, Harry and
> Arthur are archetypal brethren, you know.
That's why I said that. Glad to see you see it too. <g>
> However, I don't think R/H shippers can rejoice just yet.
> *snerk* At this point, Ron=Lancelot or Hermione=Guinevere does
> not work by any stretch of the imagination... as a lover of
> Arthurian legend (and one who's studied it on the graduate school
> level!), unless something is changed drastically in canon I don't
> think that you can extrapolate a direct H/R/H parallel to Camelot
> at all with the canon that we have.
Oh, I completely agree that the Arthurian legend doesn't work very
well, but I think the main reason is that Hermione is such a strong
character compared to the depictions we usually get of Guinevere.
Actually, I'd almost rather cast Hermione as Morgan LeFey, since
she's a witch, strong, and for her to be with Harry would, IMO, be
almost like incest, since they're such good friends. (Although I've
been known to waffle on that--I'm still not a firm shipper of any
stripe.)
> In the post-Hogwarts *Trouble in Paradise* (TiP) milieu, there is
> a purposeful skewing of character and switching of positions so
> that Camelot *can* be alluded to. The key term is "allusion"--no
> direct parallels were intended.
Yes, you would need to skew things considerably to sell Ron as
Arthur. I'm still not seeing him in this role.
> You see, after Voldemort's defeat in my fanfiction, Harry leaves
> the wizarding world altogether, a bit like Frodo leaves the Shire
> and Middle-Earth post-LOTR. The difference is that Harry
> eventually returns to the wizarding world and avoids the public
> eye, making a life in a land that straddles the fence between the
> wizarding world and somewhere else altogether. Harry is offered
> the "crown" in my backstory, but utterly refuses it, preferring to
> continue his quest behind the scenes and out of the spotlight.
Here's where I had to go talk to my friend who has read Tip, and
after she gave me a summary of the story (which doesn't mean I might
not eventually read it--I'm one of those people who actually LOVES
spoilers) I found a weird parallel between your story and my
favorite novel (so the odds are actually increasing that I may read
TiP after all).
What's my favorite novel, you ask? (Okay, I'll pretend you
did.) "The Great Gatsby." Now if you were going for a Gatsby
parallel, I think you may have succeeded (even accidentally). Not
in the plot as much as the roles of the characters and the way the
story is told.
I have to be honest with you, I went to look for TiP on Schnoogle
and discovered that I HAD started to read it way back when there
were only two or three chapters. I didn't like the idea of a
character I regard as peripheral narrating the action and not
permitting me to get into Harry's head, which is something I love in
JKR's books. But my recent exchange with my TiP-reading friend
opened my eyes to the fact that that is EXACTLY how Gatsby is
structured! Nick Carraway is a peripheral character, and yet it is
through his eyes that we see the saga of Gatsby (Harry), Tom (Ron),
Daisy (Hermione) and Tom's mistress (Mo). There are obviously
differences between your story and Fitzgerald's, but Gatsby fits
Harry eerily: he was Daisy's/Hermione's first love, he went away to
war, he dropped out of sight, then returned as a man of mystery and
he'd like his woman back...
Of course, Tom and Gatsby weren't ever best friends, and Ron clearly
has better taste in women than Tom (I always cringed at the
descriptions of his mistress--what was he thinking?). But since
this narrative technique--the peripheral character filtering the
story through his/her eyes and experiences--is something I enjoyed
in Gatsby, I had to admit to my friend that I wouldn't let that
alone put me off of TiP.
Regards,
Laurin
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