Books and crushes (Tabouli's post, with long GWTW aside)
Ebony
ebonyink at hotmail.com
Mon Oct 22 22:56:47 UTC 2001
--- In HPFGU-OTChatter at y..., "Tabouli" <tabouli at u...> wrote:
> Ebony:
> *The Blue Castle* is for the times when I feel as if I'll never
find
> that special someone.
>
> This book was compulsory reading on the morning of my 29th birthday
as a single woman... (a few months ago). I love tying dates in books
to dates in real life... <snip!>
TBC is the kind of writing that gives us glimpses into Maud's ability
to write for an adult audience. I remember when I first read the
books four years ago, I thought that 29 was a long, long time away
for me and secretly agreed that it was sad for Valancy to be 29 and
not married with no real prospects... I was in love and just couldn't
conceive of it. Now 29 doesn't seem quite that far anymore... and
V's state doesn't seem that implausible. ;-)
> Penny:
> > Gone with the Wind - I used to re-read annually, but it's actually
> been a few years now. Need to drag that out again soon.
>
> Oo, now this is a controversial book (I must read "The Wind Done
Gone" some time!). Must admit, I like it very much myself. I admire
assertiveness and resourcefulness, and whatever else you say about
Scarlett, she has those qualities in spades, hearts, clubs and
diamonds. Good on her. Though in the film, they turn her into a
whingeing bitch, which always annoys me...
I liked *Gone With The Wind* very much until someone (my mother IIRC,
and then Grandma jumped into the discussion) sat me down and pointed
out all the reasons why I should not like it. I'm just strange, I
guess... I don't think I've ever met a black American in RL who has
anything but contempt for both novel and movie.
Now, I've admitted before to you guys that I used to think that
whenever I read about a character being "dark", I automatically
assumed they were a person of color and was both disappointed and
bewildered when I learned that the reference was just to eyes and
hair (or sometimes just hair). Well, here's another random
confession: before I ate from the tree of the Knowledge of Ethnic
Good and Evil, I used to love antebellum historical romance, period.
While reading, I identified with the white female protagonist simply
because she *was* the protagonist and the focus of the story. It
didn't occur to me to identify with her house slave.
Once I started thinking about what was going on in these stories,
there was no going back. I began to wonder why all the women who
supposedly represented *my* ancestors were nothing but caricatures.
A case of TMI, I guess... I've had both undergrad and grad English
and Drama classes in which we analyzed dramatic subtext, and each
professor tried his or his best to convince us that books like *Gone
With The Wind* were disquieting. The success rate of these classes
was something like 100%... I know I'd planned to record a documentary
overview of American history last month, yet was horrified when the
1915 movie *Birth of a Nation* was lauded without critical
reservation.
You know, Tabouli, I'm no authority on this but I do think that
readers and writers of color often find themselves on the fringes of
metanarrative. As readers, we run into identity issues... because
it's difficult to explain to others or justify to ourselves that our
subconscious dilemma really isn't just "water under the bridge". On
the other hand, as a writer of color the struggle is *not* to stay
inside of the box.
In a previous grad seminar, much of our efforts were spent trying to
discover this "life between the margins", so to speak... unlocking
the voices of the voiceless in any discourse is a daunting task. Our
department's rhetorician (cannot WAIT to take her class this winter)
does a similar thing with gender issues in classical antiquity. And
while I'm not interested in reading *The Wind Done Gone* (African-
American writer Margaret Walker already told the flip side of GWTW in
her remarkable novel *Jubilee*), I am glad that the sistah got the
chance to tell her tale.
While I dislike Scarlett as a character and did even upon first read,
I thought the story itself was good and would recommend it to anyone
with a caveat... to keep in mind that the GWTW narrative is but one
part of the harmony that is the song of the South, and too often the
other tune doesn't get sung... and when it is sung, it doesn't get
equal screen time... or is not seen as being as melodious. JMO.
--Ebony AKA AngieJ
(P.S. Tab wrote: "thought Kermit was cute, especially when
singing "The Rainbow Connection..." and now that I think about it, I
do think that's when my little toddler's heart fell in love! ;-))
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