The content of her characters was Re: Nebula awards prelim ballot posted
pippin_999
foxmoth at qnet.com
Fri Jan 25 17:53:38 UTC 2002
--- In HPFGU-OTChatter at y..., Andrew MacIan
<andrew_macian at y...> wrote:
> The substantial argument, presuming there is one, is
> that their is a specific award for YA/children's lit
> in the competition....and that is only one, beside
> taste/artistic merit, that holds any water for me.
>
> Also, as mentioned in a post to John, Hugos are pretty
> market sensitive, and that might well have a major
> part in this, too.
None of the great names Rowling is said to fall short of were
nominated for last year's Hugo. I haven't read the other two
nominated books, and it doesn't seem anyone else has either,
though I have read Clarke, Asimov, Herbert, Card, Gibson and
Pullman.
As far as taste/artistic merit goes, IMO, the only one of the above
who compares to JKR for sheer magnetic story-telling power is
Herbert. I'll allow that compared to the masters, JKR's world
building is slapdash on occasion and her sentence structure
can be sloppy. OTOH, she has surmounted one of the major
weaknesses of the genre. She writes dialogue that is both
memorable and credible as conversation. I honestly can't say
that about any of the others, though I've read some of them till the
covers crumbled.
Granted, the whole "kid grows up to be a hero with the aid of
magical powers" plot is considered more suitable for children.
Time, that magician, will indeed transform our children into
older, more capable and more attractive beings, if we are patient
and they but faithful and brave. If Goblet of Fire was only about
that, it might be considered a children's book. As adults we
cannot look for any such magic, and if we wish to be
transformed further we must do it ourselves. But I think the HP
books are about something more, something that ties in with
Ebony's Martin Luther King post.
MLK's dream was that his children would live in a world where
they would be judged on the content of their characters. How we
were supposed to go about determining the content of anyone's
character, absent experience, MLK did not explain. As Tabouli
points out, cultural clues don't work in the case of someone from
a different culture.
How do we decide whom to trust? If we want to build a more
equable world, we can't rely on the network of people we already
know because that's exclusionary. We can't rely on
appearances, because they are misleading. It might be helpful if
we had a device like the Sorting Hat, which looks inside your
head and tells what you are. Or would it? Would we label some
character traits as "bad" when the truth is more complex?
Rowling obviously intends her adult readers to ask such
questions, and they are absolutely beyond the scope of the child
reader, who can't quite understand why Quirrel was the villain
and not Snape.
Pippin
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