Christians and LOTR
pengolodh_sc
pengolodh_sc at yahoo.no
Fri Jul 18 22:22:38 UTC 2003
--- In HPFGU-OTChatter, "Anne" wrote:
[snip]
> Seriously though, I never managed to finish the Silmarillion,
> precisely because of the doorstop tenor of the writing.
> I do recall that Tolkien's family found the manuscript
> --unfinished-- after his death, and based on the size of it, and
> the density (and I don't mean weight), it could have stood some
> serious editing. But, I mean, who can edit Tolkien, eh?
[snip]
The diverse manuscripts that formed the basis of The Silmarillion
were well known to at least Christopher Tolkien, and probably JRRT's
other children as well. Christopher Tolkien became significantly
involved in his father's creative process in the later years; the map
found in most editions of Lord of the Rings was drawn by Christopher
Tolkien, for instance, a long time before his father's death.
Tolkien did not have one Silmarillion manuscript in process of
editing. Each part, of often subparts of the parts, existing in
many, many different versions, as he had been writing on the whole
thing since around 1917-1918, sometimes changing his mind on what
things should be like. Particularly the Grey Annals, which were
titled Quenta Silmarillion (the main part of the book The
Silmarillion), were subjected to a lot fo this treatment.
Sometimes the process JRRT used when writing these manuscripts seems
more like the process of a researcher discovering new facts about an
ancient culture, and reinterpreting the culture in light of the new
facts. For instance, in his last years he was considering a major
rewrite of significant parts of the main portion of The Silmarillion,
based on his opinion that the story as it stood did not fit the
linguistics of the elf-languages he had created. Indeed, he also
surmised that a chief reason for Feänor's rebellion against the Valar
lay in an obscure change of grammar in the elvish language Quenya.
When JRRT died, he had indicated to his son that he did want to see
The Silmarillion published, and Cristopher did his best to edit
together what he felt was the best selection of texts. Part of the
problem is that when you have so many, many versions of text, some
written on typewriter, some in near-illegible handwriting with faded
pencil, some handwritten by someone paid to handwrite it for Tolkien,
etc. etc., things fall through the cracks. In the later
published "Book of Unfinished Tales", Christopher Tolkien explains
how he with his knowledge gathered through his later delvings into
this mountain of texts, probably would have made different selections
of versions. The book "Unfinished Tales" incidentally can be
recommended - while it does have many things sounding much like The
Silmarillion, it also has other pieces more like LotR, and it has a
lot of extra information on various subjects, including the wizards.
It is composed of things Tolkien wrote which (obviously, from the
title) never were completed as intended.
> Anne U
> (who seriously disliked the lack of Frodo and Aragorn in that
book...)
But who needs Frodo or Aragorn, when one has a choice of Tuor or Huor
or Fingolfin or Finarfin or Fingon or Agnor or Aglor or Finrod
Felagund or Turgon or Maedhros or Elwë Singollo or Celebrimbor...?
;-)
Incidentally, if one has trouble with The Silmarillion, it pays to
skip the chapter which simply lists out the realms and lands of
Beleriand - even devoted fans have problems with that chapter.
Best regards
Christian Stubø
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