Philip Pullman (3 replies)
gulplum
plumeski at yahoo.com
Mon Mar 10 19:43:08 UTC 2003
silveroak_us wrote:
<snip>
> I am reading John Granger's "The Hidden Key to Harry Potter" and he
> hypothesizes that JKR based Gilderoy Lockhart on Pullman. He also
> goes on to offer some sharp contrasts between JKR's approach to
> good and evil over against Pullman's. In Granger's view, JKR's is
> *better*.
I've heard of that book (being online, it's difficult not to have
done) but that's a major recommendation against buying it, if the
above statements are true.
I simply cannot see how Lockhart could have been based on Pullman.
Pullman may be somewhat curmugeonly and have a low pain threshold for
stupidity, but he's not vain, and from everything I've ever read or
seen or of about him, is quite self-deprecating about his literary
success and achievements.
It was quite clear from the interview that of all his oevre, the
single item of which he is most proud was a stage production he wrote
when he was a teacher (I don't recall the title, but it had something
to do with elephants and the Middle East).
I'm really curious what attributes Granger could find in common
between them...
I find the notion of considering either JKR's or Pullman's view of
evil to be "better just a little bit silly. They're very different,
for starters.
I have a vague idea of what Granger's religious views are, but if he
holds stock in any kind of Christianity, Pullman's identification of
all organised religious authority as inherently "evil" (well, not
good, at least) would be enough to turn him off.
Note that in this respect, Pullman's vision of religious "authority"
isn't only of the temporal kind (e.g. Catholicism) but of the
heavenly kind as well. Pullman's solution of the establishment of
a "republic of heaven" is anathema to any self-respecting Christian
with an intellectual appreciation of what they believe in.
Pullman's depiction of religious authority as the ultimate in harming
human development (either as an individual or society) is more than
enough to divide opinions, literary critics/analysts among them.
JKR doesn't even approach the topic of religious authority. Political
and social authority, yes, but there is nothing ecclesiastical about
it. Making any kind of comparison between the two is therefore more
than a little pointless and unworthy of any valid literary analysis.
lisa amphoteric wrote (last point first):
> I should probably have waited for a more articulate mood before
> making my first post (after about six months of lurking on this and
> the main list), but have been thinking about the interview all day
> and couldn't resist responding. So, um, hello. :D
And hello to you, too! If you get any more articulate than that post,
I for one will have to find a rock to hide, so please feel free not
to wait for "more articulate modds". :-)
> The comparisons between His Dark Materials and HP seem dreadfully
> misleading to me because of this - there's no glimmer of humour in
> HDM, and I think many casual HP readers are probably attracted to
> the books by the humour above all else. Just my opinion, anyway,
> but I think the HDM audience overlaps with that of HP, rather than
> being the same.
I agree entirely with your assessment, Lisa. Where Harry is sarcastic
in his replies to figures of authority (one of my major problems with
Movie!Harry is the watering down of that aspect of his personality to
the point of non-existence), Lyra and Will are dour and serious.
Where Harry and friends have "adventures" (until GoF, at least), Lyra
and Will are on a righteous *mission*. And I'm not quite so sure that
it's just the casual readers for whom the humour of HP is a major
attraction. Speaking for myself, when opening the books for
involvemnt in some intense discussion or other, it's usually
something funny which sends me off reading much more than I had
intended. :-)
It's not just humour. I think (perhaps very personal opinion) that
JKR does emotion better than Pullman does, as well. The penultimate
chapter of GoF left me quite literally sobbing when I first read it
(although a grown bloke willing to admit to possessing emotions, I
don't break into floods of tears *that* easily) and it leaves me
bleary-eyed every time I've read any of it since. The sheer bloody
*INJUSTICE* of it all gets to me every time.
The end of HDM, the culmination of well over 1,000 pages of turmoil,
left me satisfied rather than heartbroken. It was the only possible
ending, and although sad for Will and Lyra, it was justice on a
cosmic scale (quite literally, in some respects). Even Will's dad's
death, although a shot out of the blue, comes as something of an
emotional anti-climax. As for Lyra's parents, well they sort of peter
out rather than go out with a bang, considering their relationship
and their differing attitudes towards The Authority underpin the
entire narrative.
Although I'm sure that Potter Book Seven will end on a note of cosmic
justice, there will be more than sadness underpinning it, and I
expect to be wailing once THE END shows up.
As it happens, I've also read Pullman's attempt at mysteries
(featuring Sally Lockhart) and although the sense of place (Victorian
London) was very real, I felt the plotting a bit lacking, and far too
much relied on coincidences and stupid villains. Again, there's
absolutely no humour.
I've noticed that since I started on the above, Amy made similar
points more succinctly, but Pilate-like, I shall leave what I wrote.
She also asked for more info on the pronuciation of "Pantalaimon".
The audiobooks are no real guide to what the author wanted (which
doesn't necessarily mean that the author's opinion is "correct").
I've spent most of the day trying to think of an English word which
includes the necessary pronunciation of the "lai" syllable, and the
only example I can think of is "kayak". Turn the first k into an l,
drop the "ak" and the way you'd pronounce the resulting "lay" is what
we're looking for.
--
GulPlum AKA Richard, who's just noticed that he started writing this
almost four hours ago...
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