Purity of Bloodline
Ebony Elizabeth
ebonyink at hotmail.com
Thu Sep 28 06:17:11 UTC 2000
No: HPFGUIDX 2405
--- In HPforGrownups at egroups.com, "Sister Mary Lunatic" <klaatu at p...>
wrote:
"As far as your last question goes, Alix (about how far back Muggle
blood is traced) -- bigotry varies according to region and
upbringing. There are some areas of the USA where you are considered
to be of the Negro race if even ONE of your great-grandparents had
Negro blood. This is not considered a good thing in those areas of
the country. Bigotry, pure and simple and wrong. On the other hand,
many people BRAG about being 1/16th American Indian ancestry. Why it
is considered intriguing to have a tiny bit of Native American blood
and NOT intriguing to have a tiny bit of African-American blood is
one of the great puzzles of the untutored brain."
Good observation, Sister Mary. One of the major themes in early
African-American literature is the notion of "passing" into the
dominant culture. This occurred due to the negative implications of
having African ancestry that continue to this day. Not too long ago
I dated another young colleague who is African American but looks
Italian--interesting experience. He told me that several of his
family members are passing as "white". In America. In the year 2000.
The reasons for the prevalence of the "tragic mulatto" theme in these
early writings are obvious. Until a couple of generations ago, most
members of the privileged class of African-American society had more
European or Native American ancestry than African. I'm not a
sociologist, but I've noted from informal study that you see this
theme in many postcolonial societies the world over that have dealt
with the sociocultural obstacles inherent in integrating a class of
persons who were systematically enslaved and subjugated into
mainstream society. Not a culture on this planet has fully overcome
these obstacles yet. Not even America.
This discussion of "purity of bloodlines" always brings to mind two
questions with corresponding observations. 1) Almost all of the
normal blood I've ever seen is a shade of red--no matter who it comes
from. What exactly *is* pure blood? 3) The notion of race is a
relatively modern construct invented for a specific purpose. What
*is* race?
*This* is why I appreciate Orson Scott Card's novel *Pastwatch* so
much. He scratches the surface of an area of speculative fiction
that has been largely ignored and does so with a sincerity *and*
empathy that is rarely seen within the dominant culture. Most of my
own creative writing is either historical fiction or speculative
fiction that negotiates these same questions. I've *known* about the
implications of race and culture all my life--my passion ever since I
can remember has been a binary search for origins of and logical
predictions regarding the above questions.
*This* is also why I'm not a Slytherin sympathizer. Snape and Draco
are fascinating to me from a writer's POV. However, I must say that
the canonical Draco is not one of my top five favorite HP
characters. I don't care *what* his reasons--by the end of GoF, he
is 14/15 and still determined to follow in his father's bigoted
footsteps. My students do an excellent job juxtaposing Draco's anti-
Mudblood stance and their own cultural experiences. The fact that
they'll be doing HP this year right after *Number the Stars* should
only heighten this effect.
--Ebony
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