Wands and Magical Ability, Part Two
linman6868 at aol.com
linman6868 at aol.com
Wed Aug 15 00:01:42 UTC 2001
No: HPFGUIDX 24169
W H A T W A N D S A R E
Well, the good thing about being so slow to follow up is that other people
come up with cool ways to say what I'd been going to say. Thanks to the
people who posted on Wands and Genetic Magical Ability in the past 24 hours -
good stuff! And thanks to Rita for pointing me right about the
dominant/recessive slip. :)
Discussion questions are embedded in the text.
STUFF FROM CANON: WAND IDIOSYNCRASY AND POWER
The best place to get information on wands, of course, is from Mr.
Ollivander, the premier British wandmaker. He explains to Harry on his first
visit to Diagon Alley that his mother's wand was a "nice wand for charm
work," while his father's had "a little more power and excellent for
transfiguration." He gives Hagrid the third-degree stare when Hagrid tells
him that he's still got the pieces of his snapped wand, but doesn't use them.
Then he tells Harry, "Every Ollivander wand has a core of a powerful magical
substance, Mr. Potter. We use unicorn hairs, phoenix tail feathers, and the
heartstrings of dragons. No two Ollivander wands are the same, just as no
two unicorns, dragons, or phoenixes are the same. And of course, you will
never get such good results with another wizard's wand." (PS/SS, Ch. 5).
The wand also chooses the wizard; so clearly a wizard's wand has some sort of
magical affinity with the personality of its owner. James Potter, the
Animagus, has a wand that is good for Transfiguration; Lily Potter's wand
(and presumably Lily) is best at Charms. Ollivander doesn't tell Harry what
his wand is best for…but he does tell him that it shares its magical
substance with Lord Voldemort's. Does this mean that features of Harry's
personality are like Tom Riddle's? This is a question that haunts him in
CoS; and it never got fully answered, despite Dumbledore's reassurances that
Harry belongs in Gryffindor. Some listmembers think this is a clue to
Harry's unrevealed relationship to Voldemort, but no one knows what the clue
actually signifies. Any fresh guesses?
Hermione tells us in GoF that it is magical law that only wizards can carry
and use wands; she wants to change it so that house-elves can use them too.
However, is it clear that house-elves need a wand? Dobby sent Lucius Malfoy
down a staircase with one finger, and can pull appearances and disappearances
that are not hindered by the no-Apparition barrier at Hogwarts. In CoS, as
they rescue Harry from the Dursleys, the twins explain that house-elves have
great magical power, but can't usually use it without their masters'
permission. If a house-elf were to use a wand, would it have greater results
than that of a wizard? Or is it merely that the characteristics of
house-elf/wizard magic differ laterally? After all, Winky's claim for not
using the wand is that she doesn't know how.
There has been much speculation about Ron's wand in CoS. It gets broken
during his and Harry's tumultuous arrival at Hogwarts by flying car, and
throughout the book backfires on him, causing throbbing green boils, purple
bubbles, whistles, slug burping, and other mishaps, before finally exploding
when Lockhart tries to Obliviate them with it. So why does it do this, when
Hagrid's wand seems to work for him okay? Several answers have been
suggested for this, among them being that Hagrid's wand is actually his own
whereas Ron's is a hand-me-down in the first place; Hagrid's had lots of time
to practice and make a truce with his broken wand; it's a Flint; it's a
natural anomaly; etc. Or, I wonder, is Ron's wand just showing that like
most Weasley things and people, it's characterized by longsuffering about to
explode?
Some people have posted about wands being used as a focus, or a lens, for the
wizard's power; and clearly they serve some function of the sort. Harry
believes that his biggest disadvantage in his fight with Tom Riddle down in
the Chamber of Secrets is that Riddle has taken his wand; in the fight in the
Shrieking Shack, the fortunes similarly follow the people who can cast
Expelliarmus fast enough. When Harry loses his wand in the Death Eaters'
riot after the Quidditch World Cup in GoF, he feels naked. Examples of
people not using wands include Animagus transformations (although it's not
explained how the original spell is worked), Quirrell's deadly curse (I
suspect, made using Voldemort's power), and various things that Dumbledore
does like conjuring sleeping bags for the student body in PoA. Wands don't
appear to be necessary for potion-making, Divination, Herbology, Astronomy,
or other classes that don't require charms of some sort. Finally, there is
the Priori Incantatem scene in GoF. If ever we needed evidence that wands
are important to a wizard's life, this is it.
What seems to make the subject of wands the most fascinating is that wands
are, even more than the Hogwarts Houses, a sort of wizardly Myers-Briggs Type
Indicator. This indicator speaks the most to the wand owner him/herself,
rather than to everybody else who can look up whether you're a Hufflepuff or
a Gryffindor. Fleur Delacour has a veela-hair wand, made possible by her
veela grandmother; Ron's wand is a unicorn hair made of willow; we don't know
what Hermione's wand is; Voldemort's wand has a feather from Fawkes in it.
Wands both reveal and conceal the most essential things about a wizard; and
no matter how many times we discuss it we never completely settle whether
wands are a clue to a wizard's destiny, personality, character, potential, or
all of the above. But discuss it anyway. :)
H A R R Y A S F O C A L P O I N T
We learn about wands and magical ability most through Harry's own learning
experiences. So I'm including a section about Harry and his magical ability.
From Hagrid's introduction in Chapter 4 of PS/SS, we learn (sort of) what a
wizard is; how wizards happen (sort of); what kind of world they inhabit; and
how they do things.
We also find out that whether he knows it or not, Harry is a talented wizard.
From the beginning, he doubts the fact:
**
Hagrid looked at Harry with warmth and respect blazing in his eyes, but
Harry, instead of feeling pleased and proud, felt quite sure there had been a
horrible mistake. A wizard? Him? How could he possibly be? He'd spent his
life being clouted by Dudley, and bullied by Aunt Petunia and Uncle Vernon;
if he was really a wizard, why hadn't they been turned into warty toads every
time they'd tried to lock him in his cupboard? If he'd once defeated the
greatest sorcerer in the world, how come Dudley had always been able to kick
him around like a football?
"Hagrid," he said quietly, "I think you must have made a mistake. I don't
think I can be a wizard."
To his surprise, Hagrid chuckled.
"Not a wizard, eh? Never made things happen when you was scared or angry?"
(PS/SS, Ch. 4)
**
Apparently, wizard power manifests itself most during moments of urgent
emotion, fear and anger being the most common types of urgency. The
competitive excitement of a Quidditch game is another, and so while people
respect Harry for being a good Quidditch player, Harry intuitively discredits
that strength as being another one that he only has in reaction to
circumstances. In fact, Harry doesn't believe that his power has an internal
locus of control; note that he attributes his success in learning Accio to
his fear at confronting the dragon (GoF Ch. 20). He is surprised later in
that book to discover that he can cast an accurate Banishing Charm on a
cushion. He seems to forget, or never notice, that the Patronus Charm which
he masters is difficult even for his teachers; that no-one, not even
"powerfully magical" Barty Crouch Sr., can resist an Imperius Curse as
successfully as he can; and even when he flings a gnome off his finger in
CoS, he passes it off as accident that it goes fifty feet and impresses the
Weasleys. Harry doesn't notice this, but we do, and it's the source of great
debate.
THERE'S SOMETHING ABOUT HARRY
So is Harry Super? Many listmembers don't want him to be. They reason that
since Lockhart's books would be stupid and boring even if Lockhart had
actually done the feats in them, that the HP books would end up being boring
if Harry turned out to be someone who can crook his little finger and rule
the world. But Dumbledore, being arguably super, is also arguably not
boring, because he's wise, odd, and delightfully irreverent. And even
Dumbledore can't solve moral conflicts with a wave of his wand, much to
Harry's dismay in PoA. Three things seem clear: there's something about
Harry, and we don't know what it is yet; these books are (arguably) more than
anything about Harry's coming of age; and being super doesn't solve moral
conflicts, as Dumbledore shows. So whether Harry is Talented, Super, a Sham,
or a Regular Joe, the story arc is still about his personal transformation,
just as the story of alchemy is about the Philosopher's personal
transformation, and Voldemort's story is a story of (horrible) personal
transformation. This is what makes us want read more about him, because so
far he is like Shroedinger's cat, and his fate is sealed in a box. Still, it
doesn't hurt to debate some more. So what sort of person IS Harry? Could he
conceivably make a Philosopher's Stone? Is his periodic flirtation with
rebellion a teenage thing, a character thing, or a thing that shows his
power? Is he really, as Hermione says, a "great wizard" in her sense? In any
other sense?
Ladies and Gentlemen, the floor is yours.
Lisa I.
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