Shippers and Non-Shippers
Penny & Bryce
pennylin at swbell.net
Tue Oct 23 19:41:40 UTC 2001
No: HPFGUIDX 28095
Hi --
Oh, shipping! One of my favorite topics....
Cindy C. wrote:
>
> As we all know, to date, there has been only a small amount of overt
> romantic activity described in the HP series. There is almost none
> in the first three books. In GoF, there is "The Unexpected Task"
> and "The Yule Ball." Those chapters were played mostly for laughs,
> IMHO.
I'm of the opinion that these chapters are meant to introduce us to the
notion that the characters are growing up, becoming really & truly
adolescents. JKR has said several times that she doesn't intend to keep
the HP characters rooted forever in pre-pubescence. I for one applaud
this. It just wouldn't make any sense to me for 17 yr old Harry, Ron
and Hermione at the end of Book 7 to have had no thoughts of or
experience with romance or sexuality (yeah, I mostly think Hermione is
younger ... reasons better saved for another post).
GoF may also be setting us up for something larger plot-wise in this
regard. It certainly hits us all over the head with the fact that Ron
has a crush on Hermione. I don't think it's possible to definitely
guess whether those chapters were just a humorous subplot or a humorous
subplot that gives us some vital background info &/or sets up a more
important subplot in a later book.
I must say that I'm very against the recent trend to try & label what
seems like it could have been "cut" from any of the books. It seems to
me that it's completely impossible to guess which details may seem
inocuous enough to us readers now but may be very important on down the
road. I trust that the editors have at least said, "Hey, can we cut
this down by trimming here?" If it didn't get trimmed, my guess is that
JKR said, "No way can you eliminate *that*..." In fact, I think I
recall a post-GoF interview where JKR said something to the effect that
she was very happy with GoF and that it was as lean as it could possibly
be to get the story told in the way it needed to be conveyed (rough
paraphrase).
> I must admit I have no interest in Ships (or Slash) among any of the
> adult characters. <snip>
> Even for Harry, Ron and Hermione, I would prefer that they stick to
> the knitting and not have significant romantic relationships until
> post-Book 7. I have no idea why this is, but perhaps it is a feeling
> that the next three books should be fast-paced adventures, and Ships
> would steer the books toward being romance novels? I really don't
> know.
I'm curious why some people regard *any* introduction of sexuality as
turning the books into "romance novels" (which then, under popular
consensus, will make the HP books somehow less on the literary scale
apparently). I would, as I mentioned above, be far more annoyed if JKR
were to try & sell us that these characters who will be adults (UK age
of consent is 17?) at the end of the series have had *no* interactions
of a romantic nature at all. Then again, I think Cindy & I may be in
disagreement about the basic nature of the books, since I regard the
series as novels with a protagonist who starts out as a child rather
than as "childrens' books." <g>
I *like* my books to have some element of romantic love in there
somewhere. In looking at my list of favorite books as we've been
discussing over on OT-Chatter, I'd say not a single one is completely
devoid of the concept of romantic love. It may not always be central to
the plot, but it's there somewhere & in some fashion. I know Ebony
keeps threatening to write an essay on "The Four Loves" as identified by
C.S. Lewis & HP (and I do wish she'd do this!). I don't think the
characters would remain as rich & fully-faceted & as beloved as they are
if they don't continue to grow, both in a chronological sense & in the
less quantifiable maturity/emotional sense as well. For growth to occur
beliveably IMO, we just can't have 3 characters go through adolescence
without romantic entanglements. Yes, not everyone dates in high school.
But, did you escape high school without any crushes or love interests
or *thinking* about it *at all*? Probably not. IMO, JKR needn't turn
the books into the equivalent of Harlequin dime-novels in order to
address this very real part of human life though. Based on my reading
experience, most great literature does have some element of eros.
We've been talking about Narnia some lately, so I'll throw in that I
read that series for the first time recently & didn't like it all that
much. It was "okay." The plot was handled well & I liked the overall
themes & resolution thereof (the Christian allegory was very nicely
done). But, the characterization left alot to be desired IMO. I agree
with whoever noted that Lewis' descriptions are lovely, but the
characters seemed flat somehow to me. Not only did I not *love* them, I
didn't feel at all connected to them either. I attribute this at least
in part to the fact that there was a lack of romance/sexuality. It was,
however, hard I think to pin down how old the characters actually were,
so maybe the absence of romance was warranted if they were in fact
intended to be pre-pubescent.
I can fully see FITD, which involves romance, advancing the plot &
serving as an important subplot to boot. [If you don't know what FITD
stands for, you haven't read our VFAQs lately!] I'm sure there are
other scenarios besides FITD that JKR could devise that would also serve
an important purpose plot-wise & involve ships.
The other thing I'll note is that I think it would be nigh on impossible
& extremely disturbing if the ships angle were completely dropped at
this point anyway. There *has* to be *some* resolution to R/H --
whether it's (a) R & H becoming a couple for some period of time at
least, (b) Hermione declaring that it's Harry she wants & FITD, (c)
Hermione rejecting Ron on other grounds (Krum for example), or (d) at a
minimum, Harry noticing that Ron doesn't seem as keen on Hermione as
he'd thought at the end of GoF. JKR can't just drop this storyline
entirely though. And personally, I don't think it's feasible since I
think it ties into a reasonably important subplot: FITD. <g>
Penny
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