The Sleeping Woman
pippin_999
foxmoth at qnet.com
Fri Apr 5 19:22:21 UTC 2002
No: HPFGUIDX 37478
David wrote:
>>We have from time to time here discussed a number of
issues that I believe are related:
- Ginny's character is undeveloped;
- Lily has received far less treatment than James
- There is dissatisfaction among some listies with the way
women are presented in general in HP.
I believe the common thread is that JKR has been suppressing
femininity in the books, because this side of Harry's character, or
rather, of the reader's perception of themselves, is yet to
develop.<<
I would say it is not femininity which is being suppressed but
sexuality, both because explicit sexual content would be out of
keeping with the tone of the books and because this part of
Harry's psyche has not yet developed. Harry relates to females
as splintered, incomplete aspects of the mother he has lost, as
symbolized by the M in many of their names. He represses his
awareness of their sexuality as much as he can. He seems to
wish his thoughts about Cho would just go away. It is only at the
very end of GoF that he allows himself to enjoy the feeling he
gets while watching Fleur in the distance.
However, as many have noticed, sexuality is not absent from the
novels. Instead, it is disguised. Using the traditional symbols of
fairy tales, such as toads and magical trances, Rowling deals
with sexual development in a non-threatening way. Consider
Hermione's first appearance in PS/SS. She arrives with Neville
under her wing, in search of a lost toad. Freudians will not need
to be told that the toad in fairy tales is a symbol of sexual
relations (Bettelheim, The Uses of Enchantment.) In fairy tale
language, the toad is the part of Hermione's sexuality that is
"lost", ie not yet developed. As in the many tales where the toad,
or frog, becomes a handsome prince, this little episode teaches
how what might seem ugly and repulsive may be transformed
by love into something highly desireable.
Hermione is far more comfortable with the nurturing aspects of
her femininity. She exercises her maternal skills on various
orphaned characters: Neville, Harry, Hagrid, and Winky. It is
interesting that Ron resists her attempts to mother him, and that
she in turn accepts a date with Viktor Krum knowing that school
loyalty will forbid her to indulge her coaching instincts.
Ginny, on the other hand, does not assume a maternal role
toward Harry (nor does she carry the ubiquitous M). I agree that
her immaturity and neediness are echoes of Harry's own and
that we will see her grow out of them just as Harry has. Her
rescue may be seen as Harry rescuing his own feminine side,
but also as a symbolic defeat of Harry's sexual fears as
embodied in the traditional Serpent.
As Harry grows into adulthood, his need for a surrogate mother
may diminish and he may come to desire a romantic rather than
nurturing relationship with a female friend. The Oedipal need to
separate his yearning for a mother from his sexual desires
might actually drive him away from Hermione at that point,
although her kiss at the end of GoF may signal her desire to
have things otherwise.
One of the lessons of the Potter books is that, unless you have
the brains of the Sorting Hat, it is unwise to slot people into rigid
categories as a result of your first impression. It is possible that
as they mature, Hermione and Ginny will switch roles, with Ginny
taking on more of the nurturing and Hermione developing a
romantic interest in our Harry. And then, of course, they might
switch again ;-)
Pippin
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