Twins, Toons, Humor and Instinct
porphyria_ash
porphyria at mindspring.com
Sat Aug 31 02:55:58 UTC 2002
No: HPFGUIDX 43402
Abigail wrote a very interesting post about why criticizing the twins
hits a nerve with some readers, and while I think her discussion of
how to resolve the issue usefully points to the wide variety of
interpretations people have, I still have to reply to her assessment
about how we read whether JKR "approves" of a character or not.
Abigail said:
<<
See, I don't think the problem is whether we like or dislike a
character, but whether JKR does, or rather whether she approves of
that character's actions. I think the main problem plaguing most of
the F&G defenders out there is not the fact that they find F&G's
antics funny, but that JKR seems to. It is an author's job to pass
moral judgement on the characters that he or she writes, to indicate
to the readers in means of varying subtlety whether or not this
character is doing a good thing or a bad thing.
>>
See, I disagree here. I think that the mark of a great author is that
she can create characters who are complex enough that they provoke
debate, and present enough of their behavior to let readers make
their own decisions. Authors who hammer in a moral point tend to turn
me off. I like JKR because I don't think she does this. If there was
only one right answer to whether a character is doing something good
or bad then discussion groups like this would have no purpose and
reading would be boring. Plus, as Elkins pointed out a while ago
(#39058), books would never age well if we had to agree with the
author's moral perspective; great books have a habit of lasting
hundreds or thousands of years and in that time our sense of good and
evil shifts, but our love of the books doesn't. In any case, every
reader is free to have his or her own moral criteria that might
differ from the author's without invalidating anyone's perspective.
For some reason I think this is more obvious when readers want to
defend a character that the author does not appear to like. For
instance, in my own interpretation, I don't think JKR likes Draco at
all. I just don't get that vibe; I find his portrayal, as Elkins once
described, lame. But there are legions of devoted readers who do like
him, defend him, make him the hero of their fanfics, and so forth.
And this alternate reading is a good thing, which JKR should be proud
of, and it's also something this list usually takes for granted.
On the other hand, I think it's riskier to criticize a character that
JKR does basically like. We seem to have more vehement arguments when
someone criticizes Dumbledore, Molly, any member of the Trio, or in
this case the twins. I'm not sure why it is that some characters seem
sacrosanct, especially when I think JKR has built flaws into every
character. But I'm tempted to punt the issue back to one of
readership; I think people get upset if their beloved characters get
insulted because it feels like they themselves are being insulted. I
admit I often feel that way in the face of criticism towards Snape,
even though I consciously recognize that he's cruel, vindictive,
jealous and a variety of other nasty qualities. I would certainly
think it would be that much more true of people who identify with the
obvious authorial favorites.
Abigail continues:
<<
In the Harry Potter books, there are several ways in which Rowling
indicates to us her criticism of a character's actions. The most
obvious one is to have Harry disapprove of said behaviour, another is
to describe the character as unpleasant or disliked or physically
unappealing, and a third is simply karma - bad things happen to bad
people.
>>
I agree that these are some of the ways she does it, but that doesn't
mean we as readers are limited to these ways. For instance, in the
TTT incident, we know Harry approves of the twins actions, they are
portrayed as jolly and amusing and they don't get much karmic
punishment from this incident (actually they do: Molly yells at after
Arthur finally tells her). But on the other hand we can look at
Dudley's gagging and sputtering, Petunia's screaming, Vernon's
desperate china-throwing and Arthur's "brandishing" of his wand and
find the whole thing really painful to witness. JKR wrote the same
words on the page that everyone is reading; some of us just interpret
some parts as more significant or more palpable than others.
<<
Now, I'm not suggesting that at every turn in the Harry Potter books,
the bad are punished and the good are rewarded, because this is quite
simply not the case. What I am saying is that JKR very clearly
indicates to us who the good guys and the bad guys are.
>>
Like Fudge and Bagman? Like Crouch Sr. or Snape? Filch, perhaps?
I think JKR's ethics are more complicated than this. I think there
are a lot of things she finds funny, sympathetic or just plain
pathetic but that she doesn't wholeheartedly endorse. For instance, I
happen to find Crouch Sr.'s story utterly tragic because I think he
winds up in such intolerable situations where no matter what he does,
it's wrong. Where did he make his mistake? Was it sentencing his son
to prison? Was it springing him out again? Was it keeping him under
Imperio all those years? I marvel at JKR's ability to depict someone
as making the wrong decisions for the right reasons -- or is it the
other way around?
Anyway, I don't see why the twins can't be a minor version of this.
Yes, we can think they are funny and still recognize that their
actions are not appropriate -- not mature, not fair, and someday
likely to have dangerous consequences. This does not make JKR bad
for "approving" of them, just very nuanced. As I think we recognize,
she is fond of portraying "good" characters as actually rather grey,
and like many of her readers, she has a wicked sense of humor that,
while not squeaky-clean ethically, is still very human. And that's
how I interpret the twins.
~Porphyria
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