Meta-Thinking and Magic Dishwasher
pippin_999
foxmoth at qnet.com
Fri Dec 6 18:28:10 UTC 2002
No: HPFGUIDX 47853
--- In HPforGrownups at y..., "lucky_kari" <lucky_kari at y...> wrote:
>
> In the end, as I said, metathinking makes it or breaks it for me.
> LYCANTHROPE I've always found fascinating, and they have
heaps of canon evidence, but it's metathinking that means you
won't see me inthat organization any day soon. (We won't go into
why exactly here.)<<
Fascinating! It's only considerations of theme and structure that
make me think LYCANTHROPE has any possibility of being
more than a literary parlor trick, despite all the canon I've
dredged up in support of it. So even though LYCANTHROPE
(why didn't I just call it LIE?) can be derived from "inside the
story", I am perfectly willing to discuss it in terms of theme and
structure. Whenever you're ready, Eileen. <g>
I think there are already words, derived like 'canon' from
theological studies, for the different types of interpretation we
are trying to do. For example, exegesis is the interpretation of a
(biblical) text in order to determine its intended meaning. I think
what the Magic Dishwasher Defense Team is trying to tell us is
that they are not interested in any exegesis that relies on a
general analysis of theme and structure to reveal the author's
intent. In their view, the author's intent is revealed only by her
statements. If she makes a statement about theme and
structure, theme and structure will become 'fair play', just as
morality is, because JKR has made statements about morality.
(The study of what sort of exegesis is allowable is
'hermenuetics' and is normally limited to biblical studies since
outside of religion (and fandom?) it is not an issue whether one
kind of interpretation is more 'genuine and inspired' than others.
)
I hope I have got that right, I am not a theologian.
The MDDT has decided to throw a curtain over theme and
structure and told us not to pay attention to the little man behind
it. <g> Which decision I respect. They've simply served notice
that *they're* not willing to discuss or defend MD on those
grounds. That doesn't, or shouldn't, mean that the theory isn't
open to criticism on a thematic or structural level. But we'll be
talking to ourselves. <g>
To carry Pip's acting analogy a little further, if her Stanislavskian
analysis of a character leads her to perform it in some way which
the director thinks is out of keeping with the theme or structure of
the play, that doesn't by any means invalidate Pip's interpretation
or make it less entertaining, but it does mean that the director
may not approve of it.
So be it. I'm quite entertained by the discussion though I think
the whole meta-thinking issue is but a wave of the magician's
wand to distract us from the sleight-of -hand going on
elsewhere. But it would be churlish to point that out <g>
Pippin
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