Scarred Sirius - Out-of-character - Remus Esq. - Humor - Doomed Hagrid
Amy Z
aiz24 at hotmail.com
Fri Feb 1 10:29:53 UTC 2002
No: HPFGUIDX 34444
Cindy wrote:
>you probably see Sirius as a 30-year old man who should have
>developed the maturity to acknowledge his culpability for what he did
>to Snape.
>I don't. When it comes to maturity and personal growth, Sirius is
>frozen in time, in suspended animation, really. He's a walking case
>of arrested development. Still stewing over decade-old grudges,
>showing no more emotional maturity or growth than the day he left
>Hogwarts. Still smirking about Snape's greasy hair like a pre-
>adolescent, locked in the same old tired battles.
>And why is that? Well, he's been locked up for 12 years. It is hard
>to manage much personal growth when one is lying on the floor of a
>cell in solitary confinement.
My thoughts exactly--except that it's much, much worse than 12 years of
solitary <shudders, trying to imagine such a thing>. It's been 12 years of
almost constantly being forced to relive the worst moments of his life, and
some of them are pretty damn bad. I have never found a friend's murdered
body, nor had anyone threaten to set me on fire <never mind Elkins--*I* want
to hunt the little buggers down one by one>, yet still, being locked into my
worst moments of loss, fear, guilt and despair is one of the worst tortures
I can think of. No one who had just gone through that is likely to be very
forgiving or self-reflective.
So watch out for those Lestranges etc. when they get out of Azkaban.
Elkins wrote:
>Tabouli's identification is canonically sanctioned
>(presumably she does not feel that Rowling *ever* gets
>Hermione "wrong" -- how could she?
Just to digress, I do think authors can get a character wrong. They are
writing along, creating a very believable character, and then they slip and
make the character do something that just rings false. Characters can and
should change, they can and should be complex, they can and should say
things that are a bit unexpected coming from them, but sometimes an author
ignores who the character is--typically it's in comedy, when someone says
something out of character to achieve a joke--and that's an o.o.c. moment.
Early Doonesbury comes to mind; Trudeau occasionally made B.D. say something
way smarter than he was capable of in order to put the punch line in his
mouth. I'm a fan of character-based humor, so these things rankle. I can't
think of an example from HP because JKR is just really good at this stuff.
She creates cartoonish characters at times, but so far no inconsistent ones
that I can think of.
Cindy wrote:
>Cindy (confident that Lupin could find paid work as a lawyer)
What a mean thing to say about our favorite guy. <bg> (Notice that my
warning about bewaring of generalizations does not apply to lawyer jokes.)
Gwen wrote:
<a very interesting post on humor, belying the E.B. White dictum "Analyzing
humor is like dissecting a frog. Few people are interested and the frog dies
of it.">
>2. One-upmanship. This can slip into low comedy pretty quickly, >especially
>as insults become less about wit and more about "Yo' Mamma."
Cultural note: "Yo' Mamma" is the shorthand for "the dozens," an
African-American form of one-upmanship wordplay that can be very witty
indeed. Schoolkids might not get past uncreative insults, but insults
beginning with "Oh yeah? Well, YOUR Mamma is so fat . . . " and ending with
something wildly improbable and humorous have a long and deservedly honored
tradition. JM2K.
I'm not sure where the character-based humor I was referring to above fits
onto this list. E.g., one of my favorite lines is "'Someone attacking you,
Harry?' Seamus asked sleepily." At the risk of dissecting the frog: that
line is funny not because of any wordplay or humorous physical situation,
but because of an entire context of history and character; Harry gets
attacked so often that his roommates can't really get too worried about it.
And I'd love to know where you'd categorize the sorts of verbal humor in
which JKR is very adept; they usually get classified as some kind of irony,
e.g. "Just then, Neville caused a slight diversion by turning into a large
canary" (that's physical humor, but it's the "slight diversion" phrasing
that makes me LOL) and "Professor Trelawney kept predicting Harry's death,
which he found extremely annoying."
uncmark wrote:
>I didn't see the A&E interview, but did hear several JKR interviews
where she said Hagrid would be around all 7 books
Please cite? Aberforth's Goat's site doesn't turn up anything like this.
Amy Z
---------------------------------------------------
The full list of these fouls, however, has never
been made available to the wizarding public. It
is the Department's view that witches and wizards
who see the list 'might get ideas'.
-Quidditch Through the Ages
---------------------------------------------------
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