The Politics of Nostalgia (was Nel #10: Class)
pippin_999
foxmoth at qnet.com
Wed Jul 24 21:26:15 UTC 2002
No: HPFGUIDX 41675
--- In HPforGrownups at y..., "ssk7882" <skelkins at a...> wrote:
> I wrote, about Rowling's use of stock characters and
conventions:
<snip>
Both Lilac and Darrin have, in
> the fairly recent past, cited the books' "old-fashioned" qualities
as one of the very things that made them like them so much. I
am personally convinced that the nostalgic qualities of JKR's
writing are one of the main reasons for the series' tremendous
popularity.
>
> There is nothing wrong with that. Nostalgia *is* appealing. It
> also, however, tends to come complete with a whole lot of
political baggage that sits somewhat less comfortably with
contemporary progressive values, and that's precisely where I
see the inconsistency, and even a certain degree of authorial
ambivalence, slipping through the cracks of the text.<<
Wait a minute! Part of what Rowling accomplishes with
characters like Stan is to show us exactly how convenient it is to
rely on those old-fashioned cultural clues and how uneasy we
are without them.
We all admit that it makes not the slightest difference as far as
the outcome of PoA where the heck Stan Shunpike (not
Steerpike, are you a Mervyn Peake fan, Elkins?) went to school.
But we are extremely uncomfortable with the idea that we don't
know. We *don't* know how to class Stan or Ern or the trolley
witch, and it bugs the heck out of us, progressive ideals or no,
just as much as it would bug Uncle Vernon.
Pippin
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