TBAY: Radio TBAY and the inconsistent behaviour of Albus Dumbledore
bluesqueak
pipdowns at etchells0.demon.co.uk
Thu Oct 10 22:08:07 UTC 2002
No: HPFGUIDX 45198
SCENE: A radio station. At the desk sits the Pipsqueak, with
headphones and a raido mike in front of her. Yes, it's the
Pipsqueak's turn to do the late night character phone-in at Radio
TBAY
PIPSQUEAK: Hello to all you lovely listies and characters and
tonight's exciting discussion topic is: `Is my characterisation
inconsistent?' And we've got our first caller ready for you on line
one: Hello caller, and your name is?
DUMBLEDORE: It's Albus here, Pipsqueak.
PIPSQUEAK: Well, Albus, I was really expecting Crouch Jr. I wouldn't
have thought you'd be calling us about problems with inconsistency.
You're pretty consistently wise, merciful, kindly
.
DUMBLEDORE: Yes, it's the kindliness that I'm having the consistency
problem with. You see, in Philosopher's Stone, Harry gets rather
upset in Chapter 17, and I very considerately do a little bird
watching while he dries his eyes
PIPSQUEAK: Page 217 in the UK paperback, isn't it?
DUMBLEDORE: That's right. Then in the Chamber of Secrets I'm not
remotely amused by Filch's cat being petrified. He shrieks loudly
that he wants `to see some punishment', and I reply `patiently'.
PIPSQUEAK: The scene covers pp. 107 to 110, Ch. 9 in the UK
paperback, doesn't it? I think I know which scene you're leading up
to, Albus
.
DUMBLEDORE: Yes, it's that wretched Chapter 22 of PoA, with Severus
losing his temper in front of the Minister for Magic. I'm afraid
that I really don't find my looking `as though he was quite enjoying
himself' in character. It's not very kindly.
PIPSQUEAK: Yes, your eyes are twinkling as well; pages 305 to 307 of
the UK hardback.
DUMBLEDORE: Oh, my eyes always twinkle, whatever I'm doing. I think
it's these wretched spectacles
But I really don't think I should be
enjoying myself in that scene. One of my teachers has just
completely lost his temper in front of Fudge; which would really be
rather like a muggle shouting at President Bush, and I seem to be
finding it rather funny.
PIPSQUEAK: Well I think we have several callers to give you advice
on that topic, Albus, so we'll go over to line two
And caller,
your name is?
KARIE: Karie, and Albus, I think you shouldn't worry at all about
laughing at Snape. It IS funny. He's a thirty odd year old man
acting like a three year old.
DUMBLEDORE: Yes, I know, but what troubles me is that he's been
recently knocked unconscious for nearly an hour, and has just seen
the escape of someone he is convinced tried to murder him at
sixteen. He is going to be upset, there is no getting round it. And
I look amused.
PIPSQUEAK: I think Pippin has an interesting point to make about the
amused look, Albus, she's just come on to line three:
PIPPIN: Yes, Albus, if all three of you were facing Harry, then
Snape wouldn't have been able to see the expression on your face. I
think you were primarily trying to reassure Harry and Hermione that
they weren't going to be in any trouble
DUMBLEDORE: Yes, but you see, Pippin, nowhere in the text am I given
the direction `he shot a twinkling light blue glance towards Harry
and Hermione' (I really must do something about these spectacles),
which is my usual signal that I'm directing my words or thoughts in
their direction
PIPSQUEAK: Be fair, Albus, you do sometimes get to stare down
your `very crooked nose' at them.
DUMBLEDORE: Hmm. Why have I never asked Poppy Pomfrey to do
something about that nose? I often `beam' at the children as well.
Oh, well, at least it makes a change from twinkling.
PIPSQUEAK: I see we've got another caller on line four: and your
name is, caller?
SNAPE: Professor Snape, Pipsqueak.
PIPSQUEAK: Welcome, Professor. I'm sure there are lots of seeming
inconsistencies in your characterisation that we'd love to discuss,
but we are currently discussing Albus's problems with his amused
look in Chapter 22 of PoA.
SNAPE: That's why I'm calling, Pipsqueak. I'd like to discuss that
scene as well.
PIPSQUEAK: Well, Professor, I can't say that I've ever seen your
behaviour in that scene as inconsistent. Open to several possible
interpretations, yes, but not inconsistent. In fact I think Marina
has something to say to you about that
. Marina, are you on line
five?
MARINA: Yes, I am, and I'd just like to say that when considering
Snape's behaviour in Chapter 22
SNAPE: I believe that for some reason it's referred to as the `Those
Darn Kids' scene, though I have no idea why.
MARINA: You have to make allowances for the emotional
roller-coaster he's been put through. Fifteen years' worth of
anger, finally presented with an outlet and a target, as well as
with a chance at vindication -- and then it all gets snatched away.
When you consider, Professor, that you're not a man known for your
mild, even-tempered disposition, I think you handled it remarkably
well.
SNAPE: Thank you, Marina. I'm afraid that you can't see the `thin-
lipped smile' with which I usually receive compliments, but I can
assure you that it's there.
PIPSQUEAK: You make Snape's situation sound quite tragic, Marina.
Which of course makes it all the more puzzling that Albus here isn't
trying to hide his `quite enjoying himself'.
SNAPE: Yes, I have problems with that as well. I can see that it is
a very funny scene to readers, but as I think the Headmaster has
already pointed out, from the point of view of the characters
*within* the scene, a man who has recently suffered a concussion
losing his temper to an embarrassing degree in front of the most
senior member of the Government our world has, is simply not very
funny. It most certainly is not funny from my point of view, and the
minimal amount of consideration I would expect from the Headmaster
is that he would at least try not to look as if I was giving him the
most entertaining show he'd had in years.
DUMBLEDORE: You see how inconsistent my behaviour is?
SNAPE: And there is another problem as well; I am generally
portrayed as not being as nice, as likeable as Dumbledore
.
PIPSQUEAK: It's the disembowelling toads. That never goes down well.
SNAPE:
yes, well. BUT, in CoS Ch. 9
PIPSQUEAK: We've referred to this scene before, haven't we? Pp. 107
110
SNAPE: Indeed. In Ch. 9, I am described as `trying very hard not to
smile', when the Headmaster and Professor McGonagall are examining
the cat. This is also a funny scene. But, *I* try NOT to smile.
Filch is sobbing in a chair, and I am trying hard not to show him
how funny I find it all.
PIPSQUEAK: You're actually more considerate than Dumbledore
SNAPE: Yes. Which is not going to do my image much good at all, is
it? I terrify dark wizards. I torture small children. I try to feed
sympathetic characters to Dementors
and I'm more considerate than
Dumbledore. What exactly is THAT going to do to my character
consistency?
PIPSQUEAK: I think Richard on line six has something to say about
that
GULPLUM: Yes, I have a problem with your MAGIC DISHWASHER theory
PIPSQUEAK: Yes, Richard, but we're not really discussing
characterisation inconsistency from the DISHWASHER point of view
here.
GULPLUM: Can I just make a brief point before I go back to
characterisation? It is an already-ranting Snape who is leading
Fudge and Dumbledore to the hospital wing, presumably ideally to
prove Harry & Hermione's absence, or at least confront them over
what happened. The only reason Snape would need to put on the show
(presumably for Fudge's benefit) is because he led him there, and
the reason he led them there was to put on the show. This is a
causal loop and doesn't make sense of the theory you're trying to
prove.
PIPSQUEAK: No, Richard, DISHWASHER would say that Snape actually led
Fudge to the hospital wing to prove that Harry and Hermione were
visibly in their beds, with a witness to say they'd stayed there all
the time and couldn't possibly have used a Time Turner to rescue
Buckbeak and Sirius. Fudge is the Minister for Magic, Hermione's
Time Turner had to be licensed by the Ministry. Fudge has all the
clues to *how* the escape was carried out: but he's unlikely to even
consider the possibility that Hermione and Harry had anything to do
with it after Snape's little rant, and after seeing Harry and
Hermione were in their beds all the time.
But back to characterisation
GULPLUM: Yes, I think, Albus that you've just managed a very
difficult piece of misdirection you explain to Snape exactly how
it was done, but he dismisses it. And that's funny. And you know
that everything is under control and while you trust Snape, you
don't see eye-to-eye with him about Harry and you like the idea of
Snape disproving his own prejudices with his own eyes.
SNAPE: Except that in fact, I'm 100% correct about Potter. He did
help Black to escape. So you're saying that Dumbledore trusts me,
but doesn't trust me about Potter, and also doesn't trust me enough
to tell me to shut up and keep quiet before I start my rant.
DUMBLEDORE: And, in fact, when I tell Severus `That will do', he
does shut up immediately.
PIPSQUEAK: Page 306. So you're worried Albus, that if you'd told
Professor Snape to quiet down earlier, he wouldn't have made such a
fool of himself. Well, you do tell him to `be reasonable', don't you?
DUMBLEDORE: Which isn't the same as telling him to stop, is it? No,
thank you to all your listies, it's been extremely pleasant to find
that I have so many supporters in my characterisation problems, but
I'm probably going to have to wait as long as the rest of you to
find out whether it has some deeper explanation or is just
inconsistent characterisation.
PIPSQUEAK: Yes, indeed, I'm afraid we have run out of time here. Our
next character call-in for Radio TBAY will be discussing the
question `How can I make my character more exciting' and it's going
to be Captain Cindy in the chair for that one! Thank you to Albus,
Professor Snape, Karie, Pippin, Marina and Richard for joining in
our discussion and it's a good night and happy theorising to you all.
Pip
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