TBAY: Radio TBAY and the inconsistent behaviour of Albus Dumbledore
pippin_999
foxmoth at qnet.com
Fri Oct 11 18:50:29 UTC 2002
No: HPFGUIDX 45242
Let's join the TBAY crew in The Green Room of TBAY studios, for
a little post show analysis.
Pippin inserts a tape of the latest broadcast in the player, and a
rather tinny rendition of Pipsqueak's voice imitating that of an
elderly man is heard:
> Yes, it's that wretched Chapter 22 of PoA, with Severus
> losing his temper in front of the Minister for Magic. I'm afraid
> that I really don't find my looking `as though he was quite
enjoying
> himself' in character. It's not very kindly.
Pippin shuts off the player and says:
"You know, I'm reminded of a similar debate in The Lord of the
Rings " (Eileen's eyes gleam brightly while everyone else dives
behind the sofa and sticks their fingers in their ears) " in The
Two Towers, Book Four, chapter 3. "
Pippin clears her throat, opens a very battered leatherbound
deluxe edition of LOTR and reads as follows:
"It had always been a notion of [Sam's] that the kindness of dear
Mr. Frodo was of such a high degree that it must imply a fair
degree of blindness. Of course he also firmly held the
incompatible belief that Mr. Frodo was the wisest person in the
world (with the possible exception of old Mr. Bilbo and Albus
Dum )- er, I mean Gandalf, sorry about that."
Pippin closes the book and continues:
"See, I think some people make the same mistake as Sam,
confusing blindness and kindness. Dumbledore shows no
inclination to comfort people who suffer on account of their own
ill will, whether it's Slytherin House in Book One, Filch in Book
Two, Snape in Book Three, or Barty Crouch Jr. in Book Four.
"Now, Snape is so enraged at Black's escape because he, like
Filch, wanted to see some punishment. He said so in the Shack,
"Vengeance is very sweet...How I hoped I would be the one to
catch you.." And Snape believes that Sirius wanted to murder
Harry and that Harry has been bewitched into helping Black
escape. .."
"He *says* he believes," mutters Pipsqueak. But Pippin ignores
her and goes on:
"So, what did Snape expect to find when he entered the Hospital
Wing? Harry should have been gone, or worse. His presence,
lying unharmed in the bed, is proof that, whatever else is going
on, Black was indeed not there to murder Harry. Dumbledore, of
course, opens the door knowing exactly what Snape is going to
find and is highly amused. Why shouldn't he be?
"And if Snape is acting in that scene, shouldn't Dumbledore be
acting too? Looking puzzled, like Fudge, or concerned instead of
openly amused? You would expect Fudge to show some
annoyance with Dumbledore for taking the situation lightly, but
there's no sign of that, is there? Rowling doesn't have to write,
"Dumbledore was looking highly amused but the others didn't
appear to notice" because it's clear from the context. And when
Dumbledore does speak to Snape, he does so "quietly", just as
he spoke "patiently" to Filch in Book Two. "
Pipsqueak jumps up at this and fast forwards the tape a little
more:
> But I really don't think I should be
> enjoying myself in that scene. One of my teachers has just
> completely lost his temper in front of Fudge; which would really
be
> rather like a muggle shouting at President Bush, and I seem to
be
> finding it rather funny.
Pippin grins:
"Er, well, it's all down to what one thinks of the politician in
question, isn't it? Some people might find that situation rather
funny, I think. Besides, politicians get shouted at a lot. They're
used to it. "
But Pipsqueak forwards the tape again:
> Yes, I know, but what troubles me is that he's been
> recently knocked unconscious for nearly an hour,
Pippin nods sagely. "Oh, I see. Yes, that could be a serious
injury, possibly a concussion or even a fractured skull. However,
as we're dealing with a fictional character we must always first
rule out anaesthesia dramatis."
Pipsqueak frowns. "Anaesth-what? I never heard of it. "
Pippin grins again. "Of course you haven't. It's a purely fictional
condition, in which characters who are knocked out suffer no ill
effects other than an artistically drawn thread of blood on the
temple. Other indications are: missing out on an important
revelation or being transported to some place they wouldn't
willingly have gone. It's very common--in books, movies and TV
shows, that is.
"Of course, fictional characters do get concussion sometimes,
but in that case they have uneven pupils, obvious signs of pain
such as groaning and clutching at the head, and confinement for
observation. Snape doesn't get any of that, you see. So, not
seriously injured. Just a nasty bump on the head, nothing to
worry about."
Pipsqueak pulls out a polkadot flag and chucks it at Pippin.
"Meta-thinking!" she squeaks. "That's a penalty."
"Oh come," says Pippin. "This whole list is *about*
meta-thinking. And Theory Bay is Meta-meta thinking. We're not
only discussing the characters as characters, we're discussing
*ourselves* as characters.
Pipsqueak jumps to her feet indignantly, forgetting that she did
so already. "But SpyGames and 'I expect you to die Mr Potter' are
not theories which rely on meta-thinking, and therefore they
shouldn't be criticized using meta-thinking. They're about real
spies!"
"Real spies?" Pippin looks puzzled. "What real spies? The only
'real spies' anyone's referred to in this discussion are characters
in the work of Ian Fleming, John LeCarre and Tom Clancy. Not a
real spy in the lot. Look at the titles of your posts, for goodness
sake! What most of us know about real spies is filtered through
novels and films, or documents released years and years after
the fact. People who are actually doing secret work aren't at
liberty to say so, are they? The 'real spy' is a literary construct. "
Pipsqueak looks obstinate. "I still say you can't refute an
argument that's not based in aesthetic considerations by citing
aesthetic considerations."
"Well, maybe not refute." Pippin concedes. "But reject, certainly. If
you say you like black because it's serviceable, there's no
reason I can't say I prefer blue because it's prettier.
"If Albus Dumbledore knows nearly all about nearly everything,
as he seems to in Book One, it makes it very hard to accept that
he was utterly taken in by the Crouch Moody deception. If he saw
through the Marauders, and knew all about Peter, there's no
groundwork for his having been fooled by Crouch. I find that
aesthetically displeasing.
"But if Dumbledore's omniscience is a comforting illusion which
is slowly dispelled, then what we see is a sort of religious
parallel-- Harry first sees Dumbledore as an all powerful and
benevolent but distant being. This being controls his destiny and
can intervene to protect him in miraculous ways, but has
inexplicably abandoned him to a world of suffering. But as Harry
grows, he begins to see Dumbledore as a mentor and friend,
immeasurably wiser than himself but still fallible, far more
benevolent but not infinitely so, someone whose power is limited
but whose love is unconditional--as long as we don't expect
blindness instead of kindness, that is."
Pippin
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