What is Canon?
Tom Wall
thomasmwall at yahoo.com
Wed Apr 23 04:43:11 UTC 2003
No: HPFGUIDX 55944
Melissa wrote:
Canon is anything that actually happens in the books or that Rowling
says in her interviews.
Kathryn replied:
Anyway - that's a debatable point actually. If it's in the book it's
definitely canon - if JKR says it, well it's probably true
obviously, but is it canon? Apart from anything else she may change
her mind about anything she says between now and finishing book 7 so
then the books might contradict her interviews. Personally while I
obviously pay attention to what she says (since it's her universe
and all) if it ain't in the books it ain't canon - as far as I'm
concerned.
Katy replied:
But i believe that the author's interviews/comments ARE canon
UNLESS they are contradicted by the books
<snip>
Level #1 - The Books
Level #2 - What that author says
Level #3 - The Movies
Level #4 - Comic books, cartoons and god knows what else they'll end
up coming out with in the future ;)
I comment:
I am actually of the opinion that interviews are almost *more* valid
than the books. <ducks rotten tomatoes careening at him.>
Why? Because the interviews are direct from the horse's mouth.
In the books, you're gonna have typos and contradictions and all
sorts of minor errors that are generated as a result of the writing
process. `International Federation' vs. `Confederation:' that sort
of thing. When writing, she's got to worry about plot and
consistency and character development and all sorts of other writer-
stuff. Same as the whole `first floor' vs. `ground floor' thing with
Myrtle's bathroom in CoS.
For instance, in the first edition of GoF, she screwed up the
reverse order of the spells in Priori Incantantem. We know that it
was a mistake, because it was fixed in subsequent editions. This is
an example of what I mean. A mistake like this doesn't *drastically*
alter the series... even if it was left there, the only thing that
changes is that we find out James died after Lily. Big deal. This
is, IMHO, an example of oversight. And with the Weasley cousin that
we'll probably never meet. She had to enlarge Rita Skeeter's role
because something involving the cousin caused a plot hole in the
middle of her first draft of GoF. But this stuff is not series-
altering. It's a minor thing that she didn't work out perfectly
beforehand, and so caused a problem when the actual writing
happened. But the plot hole with the Weasley cousin hasn't altered
what's `going-to-happen.'
If I'm not mistaken, JKR has been quite clear in the interviews that
she knows all of the important stuff that's going to happen already.
In other words, all of the major plot points and developments have
already been decided, she says that she knows who is going to die,
and who'll survive, and all of it. I read the other day in an
interview that she's even written the last chapter of Book 7
already, in a kind of epilogue-style, so she knows not only the
outcome, but what's going to happen to the survivors after the
series is done. So, all of this has been worked out in her head, but
not put to the page yet.
So, when JKR says something in an interview, I listen. Because the
elusive `what's-going-to-happen' is canon for her already. You know,
she knows this world so well that if she says it, and it contradicts
the books, then I personally am inclined to take her word over the
books. Why? Because she knows what's coming, and that makes all the
difference to me.
I have this personal idea that I'm sure some others probably share:
by the end of the series, a great deal of what we
consider `canonical fact' from PS/SS and CoS is going to turn out to
have been a bunch of hooey. And so, what we're calling `canon' now,
as well as many of the arguments that we're presently making on-
list, are based on faulty information. This is why I agree with
those who say that the books *in reverse order* (from GoF backwards)
are actually canon `proper:' because each book will reveal something
new, and is likely to contradict something in a previous book.
I believe that she has (and by her own admission) laid the
groundwork for things to come through foreshadowing. This is one of
the reasons that I buy Evil!McGonagall - but I don't think that's
got a hope of being canon until the very end. So, until then,
McGonagall is Dumbledore's trusted deputy, because that's what canon
tells us. But when we find out that he suspected her the whole time,
then that aspect of canon is inverted on its head and officially
changed. In other words, I think that the red-herrings aren't simply
contained in each book individually. They're, IMHO, series-spanning,
and the revelations won't come until the very end.
I have this problem, for instance, with flints, and specifically the
namesake of `flint,' Marcus Flint. I clearly read an interview in
which JKR told someone that Marcus Flint stayed back a year. I've
never read an interview where she admitted that it was a mistake.
Now, I'm not saying that this second interview doesn't exist, simply
that I haven't been able to find it. So, until I do read the
interview where she says that his inclusion was a mistake, I'm going
to insist that he stayed back the year, and that his staying back
was not a mistake.
So, that's why I (and I believe I'm probably in a tiny minority
here) am almost tempted to suggest that the interviews are *more*
important than the books themselves, because of the `what's-going-to-
happen' factor, of which only the author is aware, but which has
implications for what is contained in the books themselves.
As a side note, the parallel with Star Wars is slightly different,
because Lucas' approach was to give us the `what's-going-to-happen'
stuff first. What we're seeing now is the preamble, and since we
already know the outcome, nothing super-startling will arise. But
with the books, all the stuff that's yet to come will take
precedence.
Granted, this doesn't help us out now so much, because we've got to
have something to nitpick on. :-) And so, I understand (and agree)
with everyone who insists that the books (in reverse order) should
be the first circle of canon, while retaining my right to secretly
believe that if an interview contradicts the books, it's the
writer's word that takes priority.
-Tom, who thinks that `HP and the Sorceror's Stone' is a far lamer,
Americanized title than `HP and the Philosopher's Stone,' and who,
like Annemehr, refers to that book as PS/SS when quoting it. :-)
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