Ginny's (arrested) development - some SHIP
David <dfrankiswork@netscape.net>
dfrankiswork at netscape.net
Fri Feb 14 15:16:03 UTC 2003
No: HPFGUIDX 52186
Penny Linsenmayer wrote, of Ginny:
> If JKR were going to be setting her up as the ultimate love
interest of our beloved hero, don't you think she ought to spend
just a wee bit of time here and there mentioning Ginny every so
often so the reader doesn't forget who she is?!
I suspect a small degree of sardonic intonation here, but taking it
at face value...
I think that is exactly what JKR does. My belief that Ginny is
being kept in reserve - for thematic, not shipping reasons - along
with Lily and some of the other feminine characters. I think
Ron's 'Go away, Ginny' in POA is thematicly motivated, not just
convenient for the plot. It establishes her as a character, like
Neville, who has to be removed from the action (remember Harry's
machinations over the vampire essay?) from time to time to establish
the expectation is that she is part of it.
However, 'just a wee bit of time' *is* what Ginny gets. A card for
Harry in POA, a brief exchange with Molly about Bill's hair, a cameo
before the Yule Ball, and so on. She has little visibility, but the
reader isn't allowed to drop her mentally either.
Whether that is enough to 'set her up as the hero's love interest'
is, of course, up to the reader, but I think it may depend on
whether the love interest is itself considered to be a secondary
feature of the narrative. My guess is that the choice of Harry's
eventual partner will not be dictated by romantic considerations but
symbolic ones.
David
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