Copyright and Rita Skeeter
o_caipora
o_caipora at yahoo.com
Tue Oct 21 19:03:26 UTC 2003
No: HPFGUIDX 83267
"Matt" <hpfanmatt at g...> wrote:
> This is getting a bit off-topic, but the typical
> arrangement for publication in a periodical --
> at least by a correspondent such as Rita -- is
> a license for publication in that particular
> issue, not a sale of the copyright or a work-
> for-hire relationship.
An interesting discussion of electronic reprint can be found on the
site of the Science Fiction Writers of America, at
http://www.sfwa.org/beware/electronic.html
The URL says most of it right there.
> As a result, Sue (post #83035) is correct in
> suggesting that the Quibbler would not (again
> applying RW custom and legal principles) have
> the right to relicense for publication in a
> different periodical.
Judging from the Quibbler's jornalistic principles, it's possible
that its contract is not entirely fair to authors, retaining all
possible rights.
Entirely irrevantly, one of the Quibbler's real-life equivalents,
the "Weekly World News", used to have as an employment test supplying
a headline (e.g. "Elvis in love nest with Bigfoot"), with the
applicant to pen an artile that fit. I believe "The Onion" is
actually produced that way: headlines are approved and articles then
written.
> Caipora, your experience may be different if
> you made a work for hire or sold your entire
> copyright. Or, alternatively, maybe you should
> be asking your licensee for compensation for
> those Internet pieces.... :)
Op-ed pieces are done for prestige or to push a viewpoint, the
payment being token. So one wants them reproduced, the more widely
the better. I also had one Internet piece pirated and published in a
magazine. Same principle applies, though. :)
- Caipora
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