Time-turning as literary device (was: Just a comment about Lupin's malady)
Brenda M.
Agent_Maxine_is at hotmail.com
Tue Aug 10 21:44:58 UTC 2004
No: HPFGUIDX 109611
> SSSusan:
> I guess my question is, are you *hypothesizing* that
> the rule isn't an absolute necessity? (That "they're more like
> guidelines," to draw a phrase from Pirates of the Caribbean.)
Brenda now:
Nice example, SSSusan!! Love that movie! ["Wedding! I love weddings!
Drinks all around!"]
Great analogy with Schroedinger's cat, Eleanor!! But it can be
extended even further to *any* elements of literature that we don't
know everything about. Plot, time-line, characterization, etc. That
is precisely *why* we have ESE! and conspiracy theories running wild -
- whatever is not told in canon are "fluid". Sure, we can draw logic
from what we know to fill in the gap, but just look at how Peter
fooled WW for 12 years.
But my thoughts on "you must not be seen" during time-turning: IMO it
IS more like a guideline, especially to a first-time user. Imagine,
if Hermione bumped into herself, would she necessarily jump to
conclusion that it was some dark arts and alarm herself? My bet is
that she would at least pause to consider the possibility of it being
her future self. She is smart enough to figure that out, especially
after having used it all throughout the term. Harry in PoA has no
idea time-turners even exist, so if he saw himself then things will
go weary. Same with Dumbledore -- if he indeed time-travelled many
times as some suspects, then even if he saw himself he might think
that it is another replica of him. Which can be potentially
dangerous if it *was* a result of dark arts.
Brenda
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