The perils of immortality (Was: Harry's Protection)
iris_ft
iris_ft at yahoo.fr
Sun Dec 5 02:36:27 UTC 2004
No: HPFGUIDX 119298
--- In HPforGrownups at yahoogroups.com, "justcarol67"
<justcarol67 at y...> wrote:
>
> Evidently Nicholas Flamel and his wife, who denied themselves the
> chance to die for over six hundred years, evidently saw the error
of
> their ways and gave up earthly existence for something better. (All
> this sounds vaguely Christian, of course, but JKR is a Christian,
> though not a fundamentalist, and clearly the soul and the life of
the
> soul are important to her and to the book. that being the case,
> *earthly* immortality would not be a good thing. It would eliminate
> the possibility of ever passing beyond the Veil and entering "the
next
> great adventure."
>
Iris now:
JKR is not only a Christian. She is also someone who had to face the
loss of a beloved person, her own mother. I've always wondered if
there was a tie between her decision to write Harry's story the way
she did, and the loss of her mother.
Hmmm, that's rather difficult to explain. When you loose people you
love, particularly if their death comes after a long agony, there's
always a moment when you wish you could stopper time, so you could
perhaps stopper death. Or you wish they could turn time, so maybe
everything would be different, or more precisely, wouldn't change in
your own life.
Indeed, death is not "the next great adventure" only for the one who
is about to pass "beyond the veil".
It's also "the next great adventure" for the ones who remain alone.
It is a huge change; sometimes it is like a true cataclysm. When
somebody dies, necessarily the persons who remain "facing the veil"
see their life change more or less completely. And that's a scary
perspective, because they are not prepared.
See how what's "coming next" is problematic to most of us, even if
it's not as important as death. We spent our time looking anxiously
at tomorrow, trying to know, to determine what it will be. It part
of our human condition. And we generally don't like changes too much
(I'm not talking about changing the way you look or the colour of
the wall paper in your living room; I'm talking about changing from
a spiritual point of view). Changing is not always a very
comfortable situation, even if it happens to be finally a good
thing. And death is the kind of definitive change that makes you
feel weak and helpless.
You feel weak and helpless when you face a sudden death, or when you
face a long agony.
You feel weak and helpless when you face the perspective of your own
death, because whatever you believe in, you don't know what's beyond
the veil.
And I think JKR felt weak and helpless when her mother died; I think
she wished she could stopper time, stopper death. Just the kind of
thing Voldemort tries to do. Voldemort doesn't want to die, and he
doesn't want to change, at least, spiritually. He's like
a "spiritual still life".
He's completely mistaken; he didn't understand or he didn't want to
understand that change was at the same time inevitable and
necessary. That's why he refers to an ideology (Salazar Slytherin's)
that denies precisely the benefit change can provide the wizard
society with. Slytherin didn't accept to teach muggle born students
because it sounded like a revolution, because it would change the
wizard society. He was afraid of change; and so does Voldemort when
he claims he is his heir.
I don't know if I'm relevant, but I think that when JKR presents
Voldemort's quest for immortality as a bad thing, she tries to
exorcise what she felt when her own mother died. She makes Voldemort
try to do what she was unable to achieve, and turning his thirst of
immortality into an evil behaviour, making him fail, she gives
herself the possibility to accept that she was unable to avoid what
happened.
But there's also one thing you can notice when you have to face
someone's death: you finally find the way to go on, and sometimes
you discover in your heart, in your mind, strengths you didn't even
suspect. You survive. Just like Harry.
He survives because he changes and doesn't see it as a calamity; or
at least he tries to accept it, even if it opens the perspective of
his own loneliness, of his own death, like at the end of OotP.
JKR decided to choose a child as the hero of her books because
that's the kind of person who can't avoid changes. Harry is an
amazing summary of what people(the author, her readers) have to
accept: he's a survivor, waiting for the moment of his own death.
I can hear you say that it is a very sad and pessimistic portrait.
Well, not at all; it's simply realistic. We all are survivors,
considering our anxious reflection in a mirror. And we all know that
we will have to die soon or later. Accepting it, trying to live as
well as we can, maybe that's what makes a mind being "well prepared".
What Dumbledore tells Harry at the end of the first book could be
what JKR would have liked to be told herself when her mother died.
Being "a well prepared mind" could be at the same time facing your
own loneliness (just like Harry does after learning how his mother
died), and accepting the fact that you are not going to live forever.
Of course, it's not easy at all.
I don't know if it is possible to face death serenely; personally, I
can't.
But though it's very hard; though we feel weak, helpless, and
afraid, we are here, and we go on, and we try to do for the best.
And sometimes, we are lucky enough to find an artist to help us
understand we are not that alone.
Just my opinion of course,
Amicalement,
Iris
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