Narrative strategy and Harry's death (?) (Was: Re: JKR's narrative strategy)
ariston3344
ariston3344 at yahoo.com
Wed Jul 21 07:20:02 UTC 2004
No: HPFGUIDX 107144
Carol wrote:
> The HP books are a different matter. They are not told by the
> protagonist as an adult from his own point of view. Such a device
> would ruin the suspense JKR wants us to feel regarding Harry's
> survival.
This seems right to me, and I lean toward the view (don't lynch me!)
that Harry will die in book 7 (but that's a different post). But
I've always thought that this poses a rather awkward problem given
the POV adopted by JKR (since it is almost always
Harry's). Any scene leading to Harry's death would obviously be THE
climax of the entire series -- it's almost unthinkable to me that
such a scene would not be told from Harry's POV. But if it is told
from his POV, how would JKR smoothly handle Harry's death itself?
She could have Harry thudding (or slowly slipping) out of
consciousness, after which point the POV immediately shifts. This
seems awkward, even if there is a chapter division at that point.
Alternatively, JKR could follow Harry into death. Then it seems
that there are two choices: (1) Dead Harry himself, in ghost form or
otherwise, views the action somehow so that we get the full
denouement from his POV; or (2) We would see Dead Harry reuniting
with his parents (or something similar), after which we would switch
back to an earthbound POV for the denouement for those left living.
Both of these seem unsatisfactory to me, though, because they
introduce something very big and very brand new (life after death,
seen through Harry's eyes) right at the very end. That in turn
presents two other possible options:
(a) We follow Harry into death but never learn much about what life
after death is like. To my taste, that's unsatisfying and maybe
even a bit cliche -- a few rungs above "It was all a dream".
(b) JKR provides an in-depth, satisfying introduction to life after
death -- but this seems like it would have to be so long as to be
anti-climactic. [C.S. Lewis does pull off (b) in the Chronicles of
Narnia, but I'm not sure it would work as well in the HP context,
and maybe people disagree as to whether they think it really "works"
in the Narnia series.]
The only other alternatives I can imagine are that we get a lot of
info on life after death in advance, so that when Harry gets there,
there's not much left to say (how would this happen?), or we leave
Harry's POV *before* his death scene (i.e., we leave Our Hero's POV
at the most crucial point in the whole series).
I'm not a literary genius, but it seems that it would be very
difficult to write a satisfying ending with Harry dying, given JKR's
choice to use Harry's POV primarily (though admittedly not
exclusively).
Should POV problems be taken as a reason to think that Harry will
live (although, as I said above, I actually think he probably won't)?
Ideas/arguments/corrections? (As always, sorry if this is a tired,
worn out, old topic.)
-ariston
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