Red Herrings
Wanda Sherratt
wsherratt3338 at rogers.com
Thu Jun 17 14:46:36 UTC 2004
No: HPFGUIDX 101772
JKR is an expert at inventing red herrings, I think everyone will
agree. Her technique is to crowd the canvas with a huge number of
details, so that we can't possibly tell which ones are important and
which are just there to distract from the others. With two books to
go, we can't right now tell which is which, but I'd be interested in
knowing what other readers have, in their own minds, identified to
their own satisfaction as red herrings. Of course, we're all going
to have different ideas; somebody's red herring is bound to be
someone else's absolutely essential clue. I'll start off with just
one:
Snape - I think that Snape is one vast red herring. Ron is
perpetually voicing dark suspicions of him, and he is always on the
scene to draw our eyes and make us overlook everything else. (And
very effectively, too - he's one of the most entertaining and
interesting characters in the books.) His role is never fully
explained, so we can imagine it as more important than it really
is. I think this happened a lot in OotP, from Mrs. Weasley's "He's
just arrived" at Grimmauld Place to Sirius's grumbling about Snape
being important and making reports and Harry's daring accusation of
spying. I don't believe Snape is the important "He" that Molly was
referring to, or the key player Sirius implies, but Snape is so
compelling, he crowds out the other characters so that we miss
what's REALLY going on.
Wanda
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