The Good and Evil of Snape (was: Harry ... act like ...)
pippin_999
foxmoth at qnet.com
Sat May 29 16:11:07 UTC 2004
No: HPFGUIDX 99725
Sue wrote:
>
> But my personal take on it is that if JKR says he's meant to be
a horrible person, he is. He's her character, after all, and we
have to respect her vision.<
Pippin:
But is horrible the same as evil? I think Rowling is making a very
important distinction between rights and feelings. Snape does
not respect other people's feelings and for that he is deservedly
unpopular. But he seldom infringes on anyone's rights.
He does not refuse to teach potions to Harry or Neville. He does
make them miserable, but not to the point where they can't learn.
He gives Harry proper credit for potions that are made
correctly. He blusters about getting people expelled or turning
them over to Dementors, but when the chips are down he
doesn't actually do it. In fact he goes so far as to invent an
excuse for the Trio for their attack on him in PoA, and he turns
Sirius over to justice instead of taking revenge himself.
Even though Dumbledore recognizes that Snape's hatred of
Harry is a wound that may never heal, he still trusts Snape,
because, IMO, horrible as Snape is, he has so far consistently
supported Dumbledore's values.
In the two cases where Snape seems to have defied
Dumbledore, there is canon for Dumbledore tacit approval.
Dumbledore does not refuse to accept Lupin's resignation as he
did Hagrid's, or arrange to let Lupin stay at the school as he did
Trelawney. And Dumbledore does not arrange for someone else
to teach Harry Occlumency.
JKR tells us that we shouldn't rely entirely on our feelings to
distinguish between good and evil, or at least we should be
suspicious if something feels both right and pleasurable. JKR is
making a good many readers feel that it's both right and easy to
hate Snape. It could be she plans to teach them a lesson.
Sue:
However, as a good writer, she couldn't make [Snape]
two-dimensional, and whatever she intended at the beginning,
he has ended up a fascinating, complex character, far more
interesting than the "good guys".
Probably a case of the character getting away from the writer! :-)
Think, say, Shylock in THE MERCHANT OF VENICE - I am pretty
sure he was meant to be the villain, but Shakespeare being
Shakespeare, couldn't make him two-dimensional, whatever he
intended.<
Pippin:
I would give both Rowling and Shakespear credit for wanting to
present their characters as three dimensional, and getting the
audience to see that in Snape's/Shylock's shoes we might be
just as bitter, just as unconcerned with how we behave to others.
After all if people are going to hate you anyway, what difference
does it make how you treat them?
By the conventions of his time, Shakespeare had to show Jews
as inferior socially and morally to Christians. Thus Shylock has
to be utterly discredited, and daughter Jessica must convert. But
does JKR mean to discredit Slytherin utterly and show the 'good'
Slytherins converting to other Houses? Or will there be a
solution dearer to JKR's liberal heart?
Pippin
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