Unreliable narrator (Was: Snape's stalling)
pippin_999
foxmoth at qnet.com
Wed Nov 3 21:18:16 UTC 2004
No: HPFGUIDX 117152
> > Pippin:
> >
> > Well, I won't deny that I am a Snape apologist. <g> I don't
see myself as a "conspiracy theorist reader" as you defined the
term.<<
> >
>
> Neri:
> This is good to know. I hope you won't have troubles being
admitted into the Safe House after that last statement ;-) .
Pippin:
Hmmm...I should clarify. I have hypothesized that some
characters who appear to be working alone are collaborating
"behind the scenes" with other characters. That is the dictionary
definition of a conspiracy theory, and my place in the safe house
is assured.
However, I did not arrive at these theories by a process of
subversive reading, if that is the theory that there is no
foundational reading of the text as intended by the author, or that
such a reading need not be privileged over other readings.
( I am not educated in these matters, having strenuously
avoided taking English lit in college, so I would appreciate any
corrections. )
Rather, I approach the text as a conventionally constructed
mystery -- there has been a crime or crimes committed which
upset the social order. This upset in the social order usually
includes the accusation of wrongly suspected parties. The task
of the sleuth is to restore the social order by finding out those
who were guilty of the crime.
To this end, the author seeds the text with clues and with
misleading information (red herrings) which both the reader and
the sleuth may use to arrive at the identity of the culprit. Though
according to the rules of a fair mystery, the author must not
present false evidence without some clue that it is false, it is not
cheating to have the sleuth draw false conclusions from the
evidence he is given, and relate them to himself (and the reader)
as if they were truth.
I note that Rowling uses several narrative voices, occasionally
switching unexpectedly, for example in chapter 11 of PS/SS,
which goes from third person limited to third person omniscient.
This is usually considered a stylistic error, but in this case I
believe it was done deliberately to emphasize that the usual
point of view in the books is limited to Harry and (IMO) is only as
objective as he is.
Harry is not very objective where Snape is concerned, therefore,
IMO, the narrative voice is not either. However, I assume that
Snape is one of the innocent parties and post on that basis.
Does that clear things up?
Pippin
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