Harry's story, NOT Snape's (was Re: "An old man's mistakes")
juli17 at aol.com
juli17 at aol.com
Mon Aug 29 06:22:40 UTC 2005
No: HPFGUIDX 138980
_lady.indigo_ (mailto:lady.indigo at g) wrote:
>
> Which is why I do think Snape is innocent (along with the other
> reasons I listed), but even if he isn't there has to be more to his
> story than what we know. And it's that revelation which will be
> important, and which will turn the tide in the end. Maybe Snape's
> true redemptive moment has yet to come?
>
Lupinlore wrote:
And therein, I'm afraid, lies precisely the problem many people,
including myself, see with the Good!Snape scenario. It in effect
means the books cease being Harry's story and start being Snape's
story. I don't think that's what JKR intends (and I think that
accounts for most of her concern about Snape being so popular).
Julie says:
I think JKR's concern is more related to Snape's "romantic"
popularity among female fans, similar to Draco's among young
girls. There is an unfortunate "savior" complex in some women--
okay, maybe in many women--but some carry it too far. Think
of the women who write letters to convicts, sometimes send
them money, visit them, etc, each believing she is the one
who can see the good man--the "real" man--inside the convict
(indeed, sometimes inside the serial killer, as men like Ted
Bundy had dozens of female admirers).
It's that whole attraction to bad boys, and JKR said she went
through such a situation herself. I don't think she's worried about
fans who find Snape a fascinating character, or even think some
good in him may lurk amongst the meanness, or who hope for
his redemption. I think she's expressed concern for those who
dismiss his many unpleasant traits, and think he is merely
misunderstood (in which case he doesn't even need redemption).
Lupinlore wrote:
JKR has implied pretty strongly that she's following the standard
patterns of coming of age/hero's journey literature. Whether that is
a good idea or not is another question, but I think we can take her
at her word. That means the story is about a Hero's growing up, and
in the end facing his challenge alone with HIS OWN DECISIONS being
the crucial component of the outcome. Yes, it's true that the actual
resolution of the story might lie in the hands of a surprise
character (Gollum, Vader), but it must be the independent choices of
the hero that bring everything to the climax. It was Frodo's
choices, including his choice to spare Gollum, that brought
everything to a head at the Crack of Doom. It was Luke's choice to
appeal and reach out to his father that redeemed Vader.
The problem with Good!Snape, particularly the Dumbledore'sMan!Snape
variety of that theory, is that it effect reduces Harry to a puppet.
The really important choices, in these scenarios, are those that have
been made by Dumbledore and Snape. Dumbledore, through his awesome
and far-seeing plan, and Snape, through his wrenching sacrifices,
have engineered Voldemort's doom by cementing a traitor at
Voldemort's right hand, and Harry is simply the first domino that
will set the process in motion at the final confrontation.
Julie says:
I don't see it that way. I don't believe Dumbledore had a set plan
in place as much as he has been making a plan as he goes along,
revising it here and there as circumstances arise. And that plan
could only get Harry to the point where he is now--destined to
face Voldemort soon (because Voldemort made that choice),
and as prepared as Dumbledore's planning could make him.
And Harry is hardly the first domino that sets in the process in
motion to the final confrontation (that was Snape, who originally
told Voldemort of the prophecy--which is the act for which he
desperately needs so much redemption). Harry is the one who
will direct the final confrontation and decide its conclusion--
which makes him much more than a mere domino in the process.
Lupinlore:
Consider, in order for Dumbledore'sMan!Snape to be true, Harry will
have never REALLY been alone. He would have always been supported,
even at the final moment, by Superspy!Snape. In order for this to be
true, Harry's choices have never really been the crucial steps
leading to the defeat of Voldemort, they are mearly variables in
Dumbledore's grand plan. Furthermore, it means that the entire scene
atop the tower was a play for Harry's benefit, reducing him to a
credulous dupe led astray by his own prejudices.
Julie says:
I disagree again. You might as well say he'll never REALLY be
alone because he has Ron, Hermoine, Ginny, Lupin, another
half dozen or so Weasleys, Mad-Eye Moody, Hagrid, etc, etc,
etc, and etc, on his side. I don't see that Snape will be any
different, since I don't think Dumbledore'sMan!Snape means he
must also be Superspy!Snape. Snape is one of those cogs,
who will do something to assist Harry, as the others I mention
and more will also perform small tasks to assist Harry. But in
the end it will be Harry ALONE against Voldemort, which I
think is JKR's real meaning.
I also think we won't know until Book 7, when Harry finally
comes into his own as hero, what choices he will make
that will prove crucial to his defeat of Voldemort. And wouldn't
it be ironic if one of those choices is to change his mind
about Snape at a crucial moment? Ironic, and maybe as crucial
to Harry's growing maturity as to his defeat of Voldemort, and
perhaps also very good storytelling. It's as much about *how*
JKR tells it as *what* she tells, that will make or break a
good story, IMO.
Oh, and I don't see any indication the Tower scene was played
for Harry's benefit, good or bad Snape. Harry was there, and
Dumbledore had to make a decision--another case of reacting
as circumstances arise rather than adhering to a set plan
(the latter of which seems an impossibility in the constantly
in flux WW anyway.)
Lupinlore writes:
I have to confess that I agree with Eggplant in finding this outcome
contrived, poorly written, and just plain silly. It would also be
very, very boring -- Harry was wrong about Snape yet again, how
terribly original of JKR.
Julie says:
Yet if it turns out to be ESE! or OFH!Snape, then Dumbledore
made a major mistake YET again---ho hum, very, very boring,
and how terribly unoriginal of JKR...
Looks like she's going to lose either way if it's only a question
of semantics. After all she's set the precedent for both to be
quite often wrong--Harry about Snape due to his prejudices,
and Dumbledore because he expects too much of people.
Luckily I think JKR will write it well enough to avoid either of
those results being contrived or silly.
Lupinlore says:
Now, just because it's Harry's story doesn't mean other characters
can't change and make effective choices. In fact, one of my
arguments with JKR to this point is that she has been so VERY wedded
to the standard formula that she has missed a lot of interesting
possibilities in this regard. But those choices can't be allowed to
undercut the Hero's status, and Dumbledore'sMan!Snape would do
exactly that. If JKR goes in that direction of undercutting the
Hero's Journey formula, I would have been much more impressed had she
kept Sirius alive to give Harry love and support -- that at least
would have been a refreshing and pleasant change of pace.
Dumbledore'sMan!Snape would just be forced and preachy.
Julie says:
Again I don't think it has to be that way. Dumbledore'sMan!Snape
can still be Deeplyflawedyetdesperatelyseekingredemption!Snape
as much as he can be Superhero!Snape. It's all in the writing.
Eggplant also wrote:
Thank you lupinlore, I was beginning to think that I was the only on
planet Earth who thought that because Snape butchered Dumbledore there
is at least the slight theoretical possibility that perhaps Snape
might not be an absolutely perfect human being.
Julie says:
Eggplant, if you could resist the temptation to melodramatically
misrepresent the arguments of other posters, then it might allow
said posters (such as myself) to enjoy a debate with you rather
than sighing sadly when you once again go off on those who
don't agree with you.
Julie
(who is the Queen of England, the Queen of Sheba, and
Freddie Mercury if Snape is anything *remotely* related to
an Absolutely Perfect Human Being.)
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