The Possibilities of Grey Snape (was Re: What would a successful AK mean?)
Sydney
sydpad at yahoo.com
Sun Nov 13 21:23:36 UTC 2005
No: HPFGUIDX 142982
> I remember back to the group
> before the release of OotP, and almost no one guessed the
direction
> of the series correctly then: no one expected the kind of tense,
> claustrophobic book without the reconciliation plot (so common in
> fanfiction).
Well, it's nearly impossible to make guesses about the MIDDLE of a
story, it's pretty much open territory, so long as it converges back
to a resolution of the tensions set up in the first part. I will
say that the rage and cut-offness and no-one-understands-me angle
could have been predicted by simply asking oneself what was typical
of a 15-year-old boy. That's how I assumed the love stuff would set
the tone for 6, and why many people predicted love potions: it's
what you expect 16-year-olds to be obsessed about. Likewise I
suppose book 7 will somehow fit in a theme of coming into freedom
and power, and having to make adult choices about things, because
it's the finale of a series about developing from childhood to
adulthood.
> Regarding Grey!Snape, if you read with an emphasis upon his more
> positive qualities, you end up with one idea of "what the story
that
> has been set up is". If you read with an eye towards his more
> negative ones, you get a distinctly different situation.
Argh, cleary I'm not expressing myself very well! This has ALMOST
NOTHING to do with Snape's specific qualities as a personality--
it's why I brought up Pettigrew, whom nearly everybody loathes.
It's about the RELATIONSHIP between Harry and Snape. As the central
relationship, it's bound to undergo a reversal in the finale, just
as it was bound to reach it's lowest point at the end of the 2nd
act. Now it could be a simple revenge narrative (with or without
forgiveness from Harry, this is actually more of a character choice
than a structural choice). We're all used to seing the 'reversal'
in a revenge story, where Our Hero has been the underdog in a
relationship, and then the tables turn, and the hero has power over
the antagonist. No doubt this is where the 'Snape as villain'
expectation comes from and no doubt JKR has used it to enhance the
red-herring role of Snape. However, in my opinion, the 'power'
aspect has been played as far secondary to the trust and
misunderstanding aspect, which is where the primary tensions have
been left open. It's also where the 'key' has been established
before, by having Harry misunderstood Snape's actions waaay back in
Book 1, and has misunderstood them in every subsequent book. Harry
being thwarted in 'defeating' or revenging himself on Snape has,
IMO, simply not been established as the through-line which is to be
resolved.
> So consider this a plea for marking discussions of structure with
the
> plural marker.
Naturally this is all 'IMO'.
Sydney, who thought the Ladbroke's odds on 'good Snape' would be a
bit disappointing, but is now hopeful of making a packet if enough
people really ARE buying evil!Snape.
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