Power vs. Trust (was:The Possibilities of Grey Snape...)
sistermagpie
belviso at attglobal.net
Tue Nov 15 15:17:57 UTC 2005
No: HPFGUIDX 143054
> > Magpie:
>
> <snip>
>
> > (And as Sydney correctly pointed out, the scene in the Tower is
> > designed so that we don't see a moment where Dumbledore realizes
> > he's been wrong.)
Nora:
>
> Actually, that is precisely what I find the whole pleading scene
to
> be.
>
> "The sound frightened Harry beyond anything he had experienced all
> evening. For the first time, Dumbledore was pleading."
>
> There's your tragic anagnorisis right there (also argued for in
post
> 142981), just in the terse style which JKR likes. [It's also
> interesting that this happens right as Snape enters the scene,
which
> means some switch--positive or negative--goes off immediately.]
> Mercifully, she forgoes the fanfiction option of laying everything
> out on the table and telling us what everyone in the room thinks.
> Results in far more arguments about what actually happened, but is
> far better literature. :)
Magpie:
Giving Dumbledore a beat of recognition seems very much a convention
of original fiction (not fanfiction) to me. Rowling often gives us
clear external signs of internal conflict or understanding that the
narrator reports to us. Harry has just spent an entire scene giving
us signs of internal conflict in another person. I just can't see
how, if the idea here is that Dumbledore has just realized that
Snape, the man he's trusted in all this, is not to be trusted, the
author can skip that moment. Dumbledore asked for Snape to begin
with. Snape is here. Why is that suddenly a bad thing? I think
it's absolutely JKR's style to show us an outward sign in Dumbledore
that he's just realized he's made a horrible mistake, but I'm not
seeing it.
Magpie:
> > Perhaps an editor should have made sure in the end we all knew
what
> > everyone knew when.
Nora:
>
> That would take most of the fun out of it, though. It rockets us
> into fanfictionland, where authors are happy to write out detailed
> accounts of events and then have endless scenes (usually in the
> Headmaster's Office and involving drinks, as a way to get the
entire
> cast of characters as audience in there) then explaining to us
what
> everyone has been doing and why they've been doing it.
Magpie:
It wouldn't take the fun out of it if we're supposed to know what's
going on, which we possibly are. Canon itself has had scenes in the
headmaster's office to explain things--OotP ended with such
a "Dumbledore explains it all" scene. Sometimes Rowling assumes
that we get things that we don't get, and in Book VI she's having to
hide things from the reader that the characters know about. I
assumed that the reason nobody ever said in Chapter II that Draco
was supposed to kill Dumbledore was because JKR didn't want the
audience to hear it straight out, but that the characters of course
knew what Draco was supposed to do. They said they knew. Yet much
of fandom thinks Snape was bluffing and even though he said he knew
the plan, he didn't. I also assumed that when Dumbledore told Harry
he already knew about the UV this meant that Dumbledore knew about
it. Yet many fans think he didn't know all of it.
Maybe this is the sort of thing we're supposed to be wondering
about, but I'm not certain it is, so I'm not sure how important
speculation about it is. The book might be more interesting if it
were more clear, though, instead of less.
-m
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