Snape, Snape, Loverly Snape...and authorial intent
nrenka
nrenka at yahoo.com
Thu Feb 16 13:00:58 UTC 2006
No: HPFGUIDX 148232
--- In HPforGrownups at yahoogroups.com, "leslie41" <leslie41 at ...> wrote:
<snip>
> But in the realm of literary criticism, Rowling's opinion is not
> the trump card. Not at all. It just tells you what SHE thinks of
> her work, not what's necessarily there.
This has some truth to it. However, there is a contrary and equally
strong principle: never bet against the author in a work in progress.
Rowling's opinions of her characters may well come even more solidly
to the forefront in the conclusions to the novels, depending on what
kind of ending or even just endgame plot she feels like writing. And
one thing she could easily do is destroy a large number of currently
viable alternative interpretations. Any work is open to a number of
interpretations, or it usually wouldn't be worth reading--but there
comes a point where, if you value the ability to support your
argument with citations and don't want to have to work too hard to
explain away concrete facts you don't like, some interpretations fall
away.
If you take JKR's comments about her characters seriously, some
possibilities begin to strike one as less likely. And then the room
is open that a reading of a character may not only never come into
the forefront and be confirmed (such as the 'Snape is only being mean
to keep his cover'), but may actually be shot down.
It all depends on what each reader is reading for, as well. Lots of
people are happier with fanon than canon. But 'author is dead' is
hardly an overwhelmingly dominant critical position anymore.
-Nora hopes that the author in question stays decidedly not dead
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