[HPforGrownups] Re: Snape Survey, Snapeity, Dumbledore's sacrifice
Magpie
belviso at attglobal.net
Sat Mar 4 18:15:49 UTC 2006
No: HPFGUIDX 149104
Lupinlore:
> In fact, I think the problem arises not so much from JKR intending to
> be grey or ambiguous, but from the fact that she is often rather
> naive about the messages people read into her books. For instance, I
> think she was honestly flabbergasted by the shipping wars -- she
> thought she had made it very clear for several books where all that
> was headed. Thus the situation in the infamous Leaky Cauldron
> interview, where she tacitly agreed that some of her readers were
> just plain deluded. Similarly, I think she tends to be very honest
> when she says she just doesn't understand fan reaction to certain
> characters -- that is she just doesn't understand why Snape and Draco
> are so popular. She doesn't understand why Ron is so maligned and
> denigrated in some quarters. She doesn't understand why Hermione and
> Ginny get paired up with the most obviously unsuitable people. And
> she really doesn't understand why the characters she regards as most
> interesting and absolutely central, Voldemort and Harry, get pushed
> aside in favor of supporting cast, even if one of said supporting
> cast IS a "gift of a character."
Magpie:
I think she understands a lot of these things a lot more than she pretends.
If she thinks Voldemort is so central why does she make Snape more central
to the story? If she doesn't get why Snape and Draco are popular why does
she, too, seem to give them more important stories than the other
characters? I can see her not being down with Ron being maligned, but it's
not like she's diving in to write compelling stories about Ron. He's just a
nice guy. Meanwhile for all her claims that she doesn't get why people want
to see stuff about Snape and Draco she seems to be writing the same type
stories herself. Snape's got the most mysterious, juicy past--he is a gift
of a character. And Draco, when he finally gets a story, gets one that
resembles not the kind favored by the people who for years had been telling
us they were reading the character the way the author wanted, but something
straight out of H/D's greatest hits. Not that she was writing Draco as the
hero or writing H/D, but it turned out all those cliches that were supposed
to be the mark of a deluded fangirl were a lot closer to where the author
was going than the ones previously considered canon. Ron and Hermione are
given things to keep them busy, but it's Snape and then Draco's storylines
that are plugged into the main plot and Harry's fight.
In interviews I think JKR plays a role. "Who would want Snape to love
them?" and "You're all getting entirely too fond of Draco, the darkness is
coming!" But I think underneath she's perfectly gleeful knowing what's
coming. I mean, think about Book VI here. Now that we know what the story
in that book was, do you really think Rowling saw people interested in Draco
and thought, "Oh no, this is a bad thing. They're going to hate what's
coming." No, I think she was thrilled knowing that their boy was going to
get put through the wringer for his sins and knowing they were going to love
every minute of it. Her warnings about seeing Draco as too nice after HBP,
imo, show that while she doesn't want people to simplify his story and make
him just a victim (the bad fanfic version) she does, imo, understand the
hurt/comfort factor--as if we didn't know that already.
And then with Snape, well, there's her goldmine of a character. Voldemort's
whole story can be just told flat out in a couple of Pensieve trips--and the
Pensieve, I think, was used to make the story more interesting, because on
its own it really just isn't. The Merope/Tom Sr. union might have had the
interesting twist of the love potion, but Tom was born bad (even as a baby),
and then just continued to be bad. There's no conflict for him in his
story, he just grew worse and worse.
Snape's story on the other hand--whoa. He's far more central than
Voldemort. And every book he becomes more so. First he's Harry's hated
teacher--then he's also his protector! And he's his father's nemesis--wait,
he's Harry's father's victim! Then he's an actual Death Eater--but he's a
reformed Death Eater! Under mysterious circumstances! Then there's the
scene in the Pensieve where Harry's actually siding with him. And he's a
child in an unhappy household. Then he's Harry's new best friend possibly
leading him down the primrose path to evil. Oh, and it turns out he's the
very one personally responsible for Harry's being an orphan and being the
Boy Who Lived. Then he kills Dumbledore, who trusts him completely.
It's Voldemort (the monster--thanks, Sydney!) who hovers around the edge of
the story. It's Snape who's right there in the center.
-m
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