Dark Book - Draco - Calvinism
muscatel1988
cottell at dublin.ie
Sat Sep 22 23:13:55 UTC 2007
No: HPFGUIDX 177318
--- In HPforGrownups at yahoogroups.com, wynnleaf fair <wynnleaf at ...>
wrote:
<snip>
> The idea, as I understand it, is that the characters in Slytherin
> are "ordained" to be in Slytherin and are reprobate. That is,
> nothing they can do can make them "good."
Exactly. That is what we are shown. Slytherin, from the founder who
put the Basilisk in the Chamber of Secrets to devour Muggle-borns on
down, are bad. Regulus repents and dies, and is only a cipher
anyway, and Slughorn is less evil than venal, but the message is
clear. The other "Good Slytherin" is a horrible error, of whom more
below.
> Characters in Gryffindor are "ordained" to be in Gryffindor and
> are therefore "the chosen" and are always considered "good," no
> matter what they do.
Exactly. As has been explored on this board in some detail, the
Gryffindors do a lot of morally suspect acts, but we're led to cheer
them.
> The idea that being "chosen" means that it doesn't matter what
> you do, or how bad your actions are, you're still counted among
> the "good" just because you're chosen is actually considered
> antinomianism and is generally considered a heresy, even in
> Reformed (Calvinist) churches.
<snip>
> So, if true Calvinism were really being played out symbolically
> in the HP series, I would think that someone would start to wonder
> why the supposed "good guys" were showing no greater goodness of
> heart than the bad guys.
But that really does, to this reader at least, once I stepped back,
seem to be what's going on. I started to wonder. Your insights show
that calling this Calvinist is a category error, but the moral
problems shown by the White Hats still persist.
> If the HP series truly does send the message that being in
> Gryffindor makes you "good" or being in Slytherin makes you "bad,"
> yet the actions and choices of the two do not reflect this, then
> that is *not* Calvinism, but antinomianism. Do I think JKR, would
> consciously write something supporting that doctrinal position?
> Absolutely not.
Mus's longer response:
Wynnleaf, thank you so much for that extremely informative post. It
clarified for me a lot of issues, and sent me off to look up
antinomianism. I agree - your description of Calvinism doesn't chime
at all with what I and some others here (though clearly not all)
regard as the central problem with the Potter heptology. Since you
are clearly much better informed than (at least) me, it seems that
we're using the wrong term.
Wikipedia gives the following definition of antinomianism
(http://en.wikipedia.org/wiki/Antinomianism)
* Antinomianism (from the Greek áíôé, "against" + íïìïò, "law"), or
* lawlessness (in the Greek Bible: áíïìéá, which is "unlawful"), in
* theology, is the idea that members of a particular religious group
* are under no obligation to obey the laws of ethics or morality as
* presented by religious authorities. Antinomianism is the polar
* opposite of legalism, the notion that obedience to a code of
* religious law is necessary for salvation.
For this poster, this rings rather true to what I read in the books,
especially in HBP and DH. Using Unforgiveable Curses, tricking
goblins, identity theft, the use of dark magic and so on by the White
Hats seems to be the assertion that they are under no obligation to
behave in a certain manner, specifically one that differentiates them
from the Black Hats. It's also interesting, in a sociological sense,
that antinomianism seems to be a charge to lay against one's
opponents, rather than a position to which to adhere.
The sorting of children at the age of eleven into houses, and the
subsequent repeated identification of one of those houses as
inherently bad is predestination. When a character does something
that is undeniably good, then we are expressly told, not that some
Slytherins was capable of great love, bravery and sacrifice, but that
he was in the wrong house to begin with. In other words, Slytherins
are predestined to be bad, but the Hat sometimes makes a mistake.
That's a truly extraordinary message.
You see, I would have no problem with a genuinely predestined WW,
with inherently bad and inherently good houses (or characters). It
mightn't make for a particularly interesting story, but it would be
internally coherent. My problem arises when the message that the
sorting gives, that Dumbledore gives us when he talks of being sorted
too soon, is in direct and canon contrast with what the author has
told us is the central point of the moral arc - that our choices make
us what we are. In other words, we're shown predestination, and
we're told individual choice. We're told individual choice and we're
handed a villain who had none from the womb. And to confound me
(us?) further, in the final book, right after HBP has rammed home
Voldemort's ineluctable development as Evil Personified, we're given
Harry's dilemma over whether to pursue the Hallows or not. In other
words, it's all been decided long ago, but here's an interpolated
choice (apart from as that interpolation, I don't think the Hallows
have any real significance - the Cloak remains a plot device for
allowing our hero to get into places he wouldn't otherwise be able
to, the Stone is irrelevant, and only the Wand has any real
importance). When Dumbledore said that choice makes us who we are,
he was lying: the Hat decides who we are.
I'm struggling to come up with any good examples of a character with
a changed heart. Dumbledore might seem a candidate, but then he
tells us that his apparent goodness was weakness (and I'm inclined to
believe him). Percy or Regulus, perhaps, but they are both too
secondary (and the the narrative function of the latter really seems
only to have been there to get the locket out of the cave). Malfoy's
heart doesn't change: he's still an arrogant little toerag, just an
arrogant little toerag who wasn't really up to the task and whose
power base was removed. His "curt nod" is an expression of
submission.
Your post has convinced me that this is not a Calvinist universe.
But the question then remains: what sort of a moral universe is it?
It's not strictly antinomian either, because of all that guff about
choice.
The sad answer seems to be that it's an ill-thought-out mess. And as
Le Guin said, rather a mean-spirited one. Do I think that she was
consciously writing an antinomian text? Absolutely not. But I don't
think that she ever decided what the parameters of her imagined moral
universe were, and in a series which is expressly about the battle
between good and evil, that is a crucial and lethal flaw.
For this reader, at least.
Mus, who'll be really astonished if the bits of Greek survive - yay
for the software if they do!
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