How we read HP books WAS :Re: Half-Blood Prince
dumbledore11214
dumbledore11214 at yahoo.com
Sun Jul 27 04:15:59 UTC 2008
No: HPFGUIDX 183860
>
> Pippin:
> It seems to me that's a matter of personal taste. JKR has corrected
> the text where an error in "fictional fact" makes the storyline
> impossible to resolve, for example the Wand Order and
> Ancestor/Descendant flints. But where a logical explanation can be
> devised even if not intuited, why not leave it to the reader?
>
> Some of us enjoy that kind of thing, and rather than taking us out
of
> the story, it leads us deeper in. It seems to me JKR *wants* us to
> take those steps, for example, ....<SNIP>
Alla:
I think you touched on something very important here Pippin,
something that I am essentially in agreement with you, but let's hope
I can elaborate more. I maintain and always did that imagining
something more that is on the page, **based on what is on the page**
is a perfectly valid way to interpet the text and not going into
realm of AU or fanfiction.
I snipped your example, I also want to add one of my all time
favorite examples of Yarsley (?) and somebody else (HAHA and I do not
remember name right now) working at the Ministry. I mean if one
reader wants to say that this means nothing, that's fine, but if
another reader like me thinks that it is part of very well
constructed takeover of the Ministry, I think it is an argument to be
considered as text based argument, just the argument based on the
subtle hint, rather then spelling something out. I mean, when I read
two DE are working in the Ministry, I right away think that there is
a **reason** for them to be there, even if text does not tell me that
reason.
I do like example with Sirius' letter as well. I also as I am sure I
mentioned before see no reason whatsover to think that Hermione
abandoned her passion for public service and I am not even talking
about only elves here. Why? Because Hermione did not give me a reason
to think so, not once in the text, therefore the next step where my
imagination takes me is to come up with any possible profession for
her in the field of magical public service. I mean, I accept
interviews for that, but even if I did not, I see that in canon.
I absolutely think that even when canon is closed, books do drop
hints in some situations and invite our imagination to reconstruct
the whole chain as we see fit, as long as it does not contradict the
main ending, I suppose.
I am used to read like that, as I also mentioned before I read books
like that for the most part of my life. Endings are abrupt, whole
storylines are not resolved sometimes and reader is invited to think
about what would happen next. And sometimes the fact that nothing
would happened next is the whole point of the story.
Does Eugene Onegin in the novel by Pushkin joins Decembrist rebelion
or not? Consensus seems to be that he does, even though Pushkin is
not saying **one word** about it in his last unfinished chapter of
the novel. What did Pechorin in the Lermontov's "Hero of our time"
figured about himself and life and society? I think nothing is the
answer to that question.
And as I said several times, the list in the russian literature of 19
century can go on and on. I am not just talking about unresolved
storylines, since I agree that main storylines in HP are resolved, I
am talking about moments that are briefly touched upon and everything
else is left to the reader.
JMO,
Alla
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