Small choice in rotten apples
dungrollin
spotthedungbeetle at dungrollin.yahoo.invalid
Sun Feb 19 11:30:02 UTC 2006
I spent ages last night looking for a half-written post that it now
appears I never wrote, or never saved. So I'm going to have to re-
create it in order to tack a new idea on the end. Please be patient.
I now have the horrors that someone's had this idea before me...
Here goes.
We all know that "it is our choices ... that show what we truly are,
far more than our abilities," and that "it matters not what someone
is born, but what they grow to be." These are taken by (I think) all
careful readers of the books to be fundamental truths of the
Potterverse. The choices quote particularly, the character who
delivers the line, its position in the books, the context in which
it is said, all add up to make it one of those bits that just ...
stays with you. At the back of your mind. It's almost underlined,
highlighted, italicised and put in caps as This Is What The Author
Believes.
But JKR doesn't do things by halves, oh no. She uses magic to
reinforce the choices theme - paradoxically, by forcing the
characters' hands. We have binding magical contracts, which (no
matter how unwittingly entered into) compel characters to fulfil
their terms. We have obscure magical bonds which form between two
wizards when one saves the life of the other, which the wizard whose
life has been saved has no control over. We have Unbreakable Vows
which are perhaps the ultimate in "I want this character to have no
choice but to xyz" plot devices.
Taking it to its logical extreme, one could argue that the entire
Potterverse exists only to allow her characters to demonstrate their
natures by making choices.
At the end of OotP, Harry is presented with the prophecy.
UK p744:
"So," said Harry, dredging up the words from what felt like a deep
well of despair inside him, "so does that mean that ... that one of
us has got to kill the other one ... in the end?"
"Yes," said Dumbledore.
UK p754:
"...it was still very hard to believe as he sat here that his life
must include, or end in, murder..."
Kill or be killed; it's a rotten choice, whichever way you look at
it.
But JKR then goes on in HBP to undermine the prophecy's importance.
UK p476:
"You are setting too much store by the prophecy!"
"But," spluttered Harry, "but you said the prophecy means "
"If Voldemort had never heard of the prophecy, would it have been
fulfilled? Would it have meant anything? Of course not! Do you think
every prophecy in the Hall of Prophecy has been fulfilled?"
No, we learn, the prophecy is Voldemort's problem, not Harry's, it
makes no difference to Harry's life, he'd have wanted to be the one
to finish off Voldy for good anyway. He doesn't need the prophecy to
tell him that.
So where does this leave him with his kill or be killed choice? The
prophecy is the reason that Voldemort will never leave him in peace,
but it doesn't apply to Harry. Harry is choosing to follow his
Horlicks quest because it's the Right Thing To Do. Thing is, Harry's
hardly likely to be any better at outright murder than Draco is, is
he? He certainly couldn't kill an unarmed Sirius Black even when he
thought he was responsible for betraying Lily and James to
Voldemort. "Heat of the moment!" I hear you cry, " he'll off him in
battle, no time to worry about the moral issues it'll be self
defence!"
Except that I think that would be too easy. I think JKR's got
something far nastier in store. She did memorably comment that if
she could be a character for a day she wouldn't want to be Harry,
because she knew what he had coming.
Let's face it, she's not squeamish about putting her characters in
difficult situations, is she? Nor is she above constraining their
choices by magical means so that they can exhibit their
characterisation by choosing between what is right and what is easy
(she just cleverly hides which is the right and which is the easy
choice so we can't yet judge for ourselves).
This leads me to think that there will be some magically compelling
reason why Harry has to kill or be killed, and that there's a deeper
reason for the necessity of the choice.
And I've had an idea as to what it might be.
It goes back to Annemehr's theory about why Horlicks is so bad. She
had the idea that the ripping of the soul caused by killing can be
healed (repentance, forgiveness etc), and the reason that splitting
the soul up is against nature is that it is deliberately putting
oneself beyond redemption, deliberately not allowing the soul to be
healed. It's so elegant it *has* to be right - and if it's not, it
should be.
I won't repeat all the evidence for Horcrux!Harry, except to say
that I don't know what else could have happened at Godric's Hollow
to tie up so many loose ends. Basically, this theory relies on
Horcrux!Harry, as well as Anne's theory, ok?
So this is it:
I reckon the bit of Voldy's soul that ended up in Harry, has been
knitting with Harry's soul in the kind of healing process that
Anne's theory would predict. Harry's soul has incorporated the Voldy
fragment. Harry doesn't have to *die* to get rid of the last
Horcrux, he has to *kill*.
And I'll bet Snape refuses to teach him how.
I have another, wilder speculation (which might explain a whole lot
more) to put on top of this, but I'm not quite sure whether it's
workable yet.
Dung
Begging all to note that kill or be killed was, coincidentally, the
very choice presented to Snape in HBP.
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