(hopefully new) Movie Comments
codex79 at yahoo.com
codex79 at yahoo.com
Thu Nov 22 18:45:27 UTC 2001
I watched the movie Wednesday afternoon and wanted to share some
comments with the group. However, I thought it best to go through the
archives first to avoid repetition. Anyway, here goes:
The strangest part about the movie was perhaps the supposed 'Snape
the villain' role. He most certainly did not seem half as nasty as
the Snape in the books (and while reading posts from Snape fans on
the main list practically convinced me that he's just a
misunderstood, socially inept man, a rereading of the books totally
dispels that view for me). In the potions class, Snape doesn't appear
arbitrary in picking on Harry ... after all, he's the only one who
looks like he isn't paying attention. Snape's action seems completely
justified.
And speaking of potions class ... what on earth was that grand
entrance about?! It was positively fake, overly dramatic, and the
lines Rickman delivered seemed incongruous and lacking in context. I
always imagined him menacingly whispering those lines, not raging and
half-shouting. Alright, I do admit it was darned cool though. And
that part where he favours Malfoy with a glance - was it to make up
for all the cut-out scenes where he displays favouritism or to set up
for the plot in later films?
Another aspect that served to confuse Snape's relationship to Harry
are his expressions. When he runs into the trio outside McGonagall's
office, he delivers a short reprimand and turns to look at Harry.
However, the expression on his face seemed to convey more confusion -
and if I didn't know the character better, pain or hurt - at Harry's
rather antagonistic stare. I thought, 'HUH?' (Again, the part when he
walks away from the trio with his cloak billowing theatrically behind
him ... cool but totally unnecessary; is Snape a closet drama queen?)
Perhaps we should assume that the movies are setting up a slightly
different persona from Snape. Perhaps, as other people mentioned
earlier, Rickman had studied the post-GOF Snape persona and tried to
hint at it in his role.
Like others, I also noticed the use of first names during the 'Dark'
Forest segment. I am not too surprised though, if this was done
deliberately rather than through neglect. Human nature being what it
is, we often see our differences as a source of contention and
conflict. However, when faced with greater differences and challenges
(i.e. the werewolves and assorted unknowns of the Forest), the
differences that we perceive between each other dwindle in their
significance (i.e. we see the whole world uniting against alien
invaders in 'Independence Day') and barriers are broken down. Harry
and Draco Malfoy are on the same side in that moment, united in their
fear and their common experience.
The ending was incredibly ... strange. I really did not like the part
where Voldemort tries to sweet-talk Harry into joining him. Perhaps
it reflects some post-book 4 plot ... or not. In any case, I was too
strongly reminded of Star Wars when that plot segment and the music
was combined, and I felt that such a parallel was rather out of place
in the Harry Potter universe.
Overall, the movie was darker and more grown-up than I expected,
especially for book 1. I was surprised to see Lily's death scene, and
I am sure many of the parents who were there with their small kids
were too. With the start of the Forest scene, I saw some parents
walking out with their younger children ... it was probably a good
idea too; the atmosphere and the slinking Quirrell were things that
chilren's nightmares are made of.
A final comment I would like to offer is that the movie was, in a
way, Rowling's opportunity to go over the material in PS/SS and make
any changes she may have wanted to make in light of how she had
further developed her characters. I am, for one, glad that they took
out Dumbledore's "Nitwit, blubber, oddment, tweak" line. It was fine
when PS/SS was a stand-alone and Dumbledore was described by everyone
as a mad genius, but when later books came along, he came across in
the nonconformist-sense of 'eccentric', not weird and nonsensical.
For what ever reason the line was omitted, it would have been strange
in light of Harris' portrayal of Dumbledore in any case.
Now for the Nitpicking:
Someone mentioned the strips hanging from the Sorting Hat ... in my
opinion, it made the hat seem rather feminine, when it was supposed
to be Gryffindor's hat. I thought that the students' hats, which
didn't have brims, made them look like Santa's elves =P. Also, I
didn't see the point of having the witches and wizards dress in
rather medieval (or was it Victorian?) Muggle clothing.
And yes, the centaur was AWFUL. I was imagining that it would be a
torso of a person CG-ed onto the torso of a horse. I most certainly
didn't expect it to be a demonic-looking beast that would probably
tower over even Madame Maxime's giant steeds.
Then there was the Quidditch game, when Harry's broom was bewitched.
For some reason, I always imagined Snape and Quirrell to be on almost
opposite sides of the pitch, so that Snape could keep an eye on
Quirrell. How would Snape know what's up if Quirrell was all the way
behind him? He couldn't possibly have heard the spell, because other
professors would hear it too.
And the chess game ... yeah, I loved it too. But, doesn't the chess
board seem much smaller than normal (i.e. fewer squares between the
two sides)? And, while the destruction is certainly impressive and
all, I preferred the book-version where they just get knocked down.
After all, if the chess pieces destroy each other, how do you play a
second game? Where's the litter after Quirrell was done with the game?
And I guess, in the movie, some positions were already empty so the
challenger couldn't choose their own piece?
To end on a positive note, I was very happy with the wand selection
scene. I always thought that Ollivander was a perfectly decent
fellow, and I was sorry that his intensity was interpreted as
'creepy' by Harry, who consequently 'wasn't sure he liked
Mr.Ollivander too much'. I'm glad he didn't come across as such in
the movie. Bravo, John Hurt.
Codex
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