Setup for OOTP
lupinlore
bob.oliver at cox.net
Tue Nov 29 19:22:55 UTC 2005
--- In HPFGU-Movie at yahoogroups.com, "cubfanbudwoman"
<susiequsie23 at s...> wrote:
>
<SNIP>
>
> SSSusan:
> Right. This is what I don't want to see. I mean, I *do* think it
> would be "correct" to see a lot of Angry!Harry and Frustrated!Harry,
> but I want us the audience to be clued in to DD's true feelings and
> motivations so that we don't have to feel as Harry does, if that
> makes sense.
>
This brings up a very good point. You want your audience to stay in
the seats and pay attention. Thus, when the movie characters are
joyful, the audience should be joyful. When the characters are
fearful, the audience should be fearful. But when the characters are
bored, frustrated, and in pain you DON'T want your audience to be
bored, frustrated, and in pain.
That brings up a very big challenge, which many reviewers point out
was exemplified by the recent movie "Jarhead." Jarhead is a movie
about a Marine Sniper in the Gulf War. As the Marine Snipers did
essentially nothing in the Gulf War, it is a movie where the
characters are bored, frustrated, annoyed, and weary through almost
the entire thing. Now, I think the movie did an excellent job of
capturing the essence of what this unit of Marines went through, and I
liked it because I have personal ties with the subject, but I
sympathize with other viewers who say, "Yeah, it did a great job of
making me feel like the Snipers did, but who wants to feel that way?"
In other words, "Jarhead" had the problem of how to tell a story about
a bored, frustrated, angry young man without making its audience
bored, angry, and frustrated. The fact that "Jarhead," despite a fine
cast, a big budget, a tie in with a non-fiction bestseller, and very
good screenwriting, could not pull this off with a lot of viewers does
not speak well for the challenge of adapting OOTP successfully.
Lupinlore
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