Official Philip Nel Discussion Question #4--Will HP become classic?
abigailnus
abigailnus at yahoo.com
Tue Apr 23 21:36:21 UTC 2002
No: HPFGUIDX 38089
Hi All,
I've been waiting for this question to come up, which is funny because
I don't know exactly what my answer is. I think you're actually asking
two questions: Are the Harry Potter books classics? And, Will children
still be reading Harry Potter 20 or 30 years from now? The latter is
something I think I can answer, even though the odds are very high
against me being right. This is, after all, a discussion about the future
of a series that is, as another respondant pointed out, only half finished.
The first question is all but impossible to answer, if for no other reason
than for the fact that I can't begin to define what a classic is.
When I think of a classic book, the image that springs to mind are the
Penguin Classics, or maybe The Lord of the Rings, the only book I've
ever read that I am certain is a classic. Most people agree that a classic
is somehow timeless, a work that trascends the limits of its own
generation, but even that distinction is unclear. Shakespeare's plays
were written 400 years ago and are still beloved. Are they somehow
"more classic" than the works of Dickens, which have survived over
less than half that period? For that matter, there are still people alive
who remember reading The Catcher in the Rye or the aforementioned
Lord of the Rings when they first came out.
I think we can all agree that neither universal popularity nor universal
critical acclaim can be considered criteria for calling a book a classic.
Even if we accept that no work is universally liked, if we were to
measure the value of a work by its popularity, we'd be teaching The
Valley of the Dolls in schools, and I think I once read that The New York
Times Review of Books panned The Catcher in the Rye when it first
came out. And yet, it seems ridiculous to claim that popularity and
critical opinion aren't factors in making a book a classic.
If I had to commit to a definition, I would say that a classic is a work that
combines some element of the three qualities mentioned with a fourth,
that of being familiar even to people who haven't read it, of being part of
popular culture, of appearing, in theft and imitation form, in the works
that follow it. And after saying that I would point out that there is no official
body that stamps Classic on the front cover of any book. It's a word, like
masterpiece, that is overused almost to the point of being meaningless, and
even when the person using it is speaking from great experience and after
much careful thought, there is just so much of the personal and subjective
in calling any work a classic.
I don't like The Catcher in the Rye. People tell me it's a classic book and I
believe them, but I don't care for it and I don't get what the big deal is about.
To ask, so soon after their publication, if the Harry Potter books are classics
or if they are going to become classics is, in my opinion, an exercise in futility.
They have no doubt been called that, and will be again in the future, but
that's just words, people's opinions. There's nothing *objective* about it,
and that seems to be the purpose of the people pushing for classic status.
They seem to want their favorite books to be somehow *legitimate*, in the
same way that Penguin Classics must be good because they have the familiar
beige cover.
(By the way, I'm completely ignoring another kind of classic book - the kind
that blazes a trail, that introduces a new genre or style, such as William Gibson's
Neuromancer, a classic of cyberpunk sci-fi. I think even the most fanatic of fans
will agree that the Harry Pottr books aren't that innovative.)
Well, that went on for long enough, and now for a question that makes some
sense to me - how long-lived will the books be? I'd say the odds are stacked
in favor of the books surviving at least another generation of kids (and whatever
the books' appeal to adults today, I think they will survive as children's books if
only because it will soon be impossible to reach puberty without having read them).
Children's books have an advantage over adult fiction in the field of longevity.
Some of the most popular works in children's fiction are decades old - the works of
Roald Dahl, the Narnia series, Charlotte's Web, and many others. Children get
given books, by parents, teachers, older siblings or older aquaintances, and
usually those books are the ones that were best loved by the adults. How
many people have I seen in this group and others, mention that they have given
copies of the books to many children in their family or acquainance? And in much
the same way that Disney can roll out all their old films to the movie theatre every
few years, confident of a brand new audience, there's a new generation of Harry
Potter readers being born as I write these words.
The question is, when the hype dies down, and it will, when the kids who are
loving the books today have children of their own, will they buy the anniversary
edition box set for a birthday or christmas present? Will they be as eager as I
imagine to share these books with new people? I think they will, I think the children
of the people who love Harry Potter today will grow up with the books. Whether
they too will love them, and pass them on to their children, depends solely on how
well the books age.
On one level, the books seem certain to age well. There's so very little in them
that's specific to our times. In fact, I've always found them a bit old-fashioned,
in a charming way. The story of the lost prince is indeed timeless, and the values
Rowling espouses are just as timeless, if only because they speak out against
vices that the human race has never managed to overcome. On the other hand,
the universality of the story may be what works against it, not because the works
are derivative, but because 50 years from now, someone might come up with a
new version of the lost prince story. If it's any good, it won't matter if the Harry
Potter books are better - kids will choose the more contemporary work.
And I don't think that would be so terrible. Nothing lasts forever. Every work of
art, ever mastepiece, is eventually consigned to oblivion. There's very little point
in being sad about it. All I want is the chance to share the books with children
who have never read them before. I'd like to see their surprise at discovering
something that's so good and enjoyable, it would be a bit like reading them for
the first time all over again.
Oh, and also I want not to live to see a world in which, as a poster to another HP
group once suggested, Harry Potter is a series of classic chilldren's... movies.
I don't think that's too much to ask.
Abigail
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