[HPforGrownups] Snape: non-Vampire, emotions vs principles
Edblanning at aol.com
Edblanning at aol.com
Tue Feb 26 12:45:17 UTC 2002
No: HPFGUIDX 35756
Tabouli:
> I also sniff at suggestions that Snape is a principle driven intellectual
> who wouldn't let an emotional triviality like Love Of Lily sway him.
> Snape's personal vendetta against Harry a principled, intellectual,
> unemotional one?? Snape's reactions to Sirius, from the shrieking about
> his escape to the snarling, reluctant handshake, purely intellectual and
> principle driven?? Snape being accused of disloyalty to Dumbledore by
> Crouch/Moody, gripping the chair when Ginny gets taken by Riddle, sweeping
> into his first Potions class spouting poetry, a man divorced from emotional
> reactions? Ha. Snape is an emotional man with a sense of the dramatic
> and, I'd wager, no small measure of acting ability (he was a spy, after
>
Perhaps G.E.O.R.G.E.'S. S.I.S.T.E.R. D.I.A.N.A. hasn't been clear on this. Of
course Snape is emotional, he couldn't be angst-ridden if he wasn't. But I
think that some of his emotional outbursts are prompted by what his intellect
is telling him. His anger with Harry when he catches him after the illicit
Hogsmeade trip, and his reactions to Sirius are both prompted not only by his
antipathy towards them, but by the intellectual conviction that he *knows*
what is going on. He does work out quite often what harry's up to. He's
wrong, of course about Sirius, but the dramatic emotional responses stem from
his frustration at never being able to prove himself right and in the case of
the handshake of realising, horror of horrors, that he might have been wrong.
Incidentally, for me Snape will now always sweep into that first potions
lesson, spouting poetry, but unfortunately that only happens in the film. In
the book, he starts much more prosaically, by taking the register. (I think
the film does it better. Shh, don't tell anyone!)
Tabouli again:
> What I see in Snape is a man whose emotions and principles are in continual
> conflict (similar to but not quite the same as what others have said about
> his natural tendencies towards evil warring with his better moral nature).
> In the time where the books are set, he seems to have struck an uneasy
> balance, where he lets his emotions win the little battles, but lets his
>
<snip>
Yes, I agree, we do have emotions and principles at war, but that doesn't
mean that he didn't have the conflict between two world-views going on
simultaneously (and Diana's view is also subtly different from the 'tendency
toward evil' vs 'better moral nature' satndpoint).
> Tabouli:
> Judging by what happens when you dig up events from his past, i.e. strong
> emotional reactions (to the Prank, to reminders of his Death Eater
> history), I'd say Snape's current incarnation as man whose principles hold
> tenuous sway over his emotions when it really counts may be a reasonably
> recent development. If he's a principled intellectual now, I'd say he's
> one made, not born, probably because letting his emotions take the reins
> led to some serious trouble in his past. I'd say as teenager, his emotions
> were king, and it wasn't until he learned some very harsh lessons that he
> developed the ability to control his emotional tendency towards nastiness
>
Yes, it was the discovery that he *had* priciples that prompted his defection.
Tabouli:
> Which is why I maintain my objections to the "Snape's a principled man not a
> mushball who'd make important decisions centred around his girl" too EWW to
> be TREWW line. In my version of LOLLIPOPS, the decision to *join* the
> Death Eaters was an emotional one... his decision to *leave* them was the
>
In my view, his decision to join the DEs was neither emotional, nor
principled, except insofar as I believe he wouldn't believe in sitting on the
fence. He joined the DEs because that is what a man of his upbringing and
natural disposition would do. Hogwarts had offered him an alternative, but
that *was* a principled, morality-based alternative and I have argued that
from his viewpoint, those principles seemed morally bankrupt . To quote
myself,
What's the point of allying yourself with goodness if evil goes unpunished?
Is there any difference between the two sides? Perhaps not. In fact this ties
in with the way Vodemort recruited Quirrel: convincing him there was no such
thing as good and evil only those with power and those afraid to use it or
words to that effect.
Tabouli:
> As a child, as an adolescent, revenge seems to be the major motivating force
> for Snape... he turned up at 11 having learned hundreds of curses, he was
> bullied by the Marauders and dedicated years to trying to catch them out
> and get them expelled, leading to the Prank. Carefully thought out,
> intellectual decisions? Actions based around sound moral principles??
> Hardly. He was being driven by an emotional agenda, wanting to punish
> those who wronged him, and I'd wager that was the agenda behind his signing
> up to work with Voldemort. After all, his thwarters were on the other
> side, weren't they?
Yes, a lot of his actions were emotionally based. But I really don't *want*
him to have gone to Voldemort out of sheer revenge. To me, this makes him
weak. I like my men strong but vulnerable! ( Not an argument, but there you
are.)
Tabouli:
>*Then* we have a touch of George. At first Snape revels in the torture of
his foes, >but once the edge has been taken off his vengeful emotions, the
rational, >intellectual, principled side began to surface. What exactly is
he trying to achieve >by torturing Muggles and strangers? After the initial
bloodrush, he doesn't really >enjoy it any more, certainly not like those
vicious Lestranges and that bloodthirsty >Avery. As for those unspeakable
Marauders James and Sirius, isn't he doing to >others exactly what they did
to him? He hated being victimised by them, but the >person he has become is
no better. He is a murderer now, killing people for no >better reason than
that a madman is telling him to.
In agreement, although I don't know whether I see him revelling in what he
does. Certainly, I see him knowing what he's getting involved in. A key
element of the Diana theory is that he really *was* a DE, not just playing
around at it. I certainly don't see him as a principled idealist espousing
Voldemort's cause from deep conviction, but I do think that the espousal of a
cause, the identification with a cause is something attractive to many young
people.
Tabouli:
>The LOLLIPOPS angle here is that he already had an illustration of someone
who >wasn't afraid to stand up for her principles... Lily. As his doubts
grow, her memory >is a moral compass for him. She stood up for him when he
was bullied, and judged >Sirius harshly; now he's the bully, and she would
judge him just as harshly, in fact >more harshly... he isn't just taunting
and Pranking, he's actually killing people. >What has he become?
>This, I would argue, is actually a moral principle issue, *not* a mushy
issue. Lily >as role model as much as Lily the lost love. By her past
actions, she awakened >the moral conscience slumbering under Snape's
vengeful, bitter emotions. The >threat to her family is what suddenly
triggers Snape's recognition of the immorality >of his actions, because it
makes it *real*... someone he knows and loves will suffer >for the rest of
her life because of his actions. Something he has already done to >countless
other people.
>The moral crisis, already building, hits a critical mass. The vengeful
emotions that >drove Snape to Voldemort seem childish and abominable; his
actions since then >unspeakably immoral. Snape's principles rise up to
conquer his emotions and he >goes to Dumbledore announcing he wants to change
sides. Dumbledore is wary of >this young man, whose thirst for revenge
turned him into a Death-Eater. Therefore, >Snape must prove to Dumbledore
that those vengeful emotions are now controlled >and ruled completely by the
principles that led him to change sides. What better >way to do this than
enlist Snape's services as spy?
Yes, now he has a sense of morality. Morality had nothing to do with joining
the DEs as it seemed irrelevant to him. But then, I don't think revenge was
the *motive* either, although I dare say it was an added bonus.
>I say the decision to *leave* Voldemort was definitely based on moral
principles, >and that this fits in seamlessly with LOLLIPOPS. Because, of
course, if Snape >loved Lily, why abandon the Death Eaters when they were
going to kill her husband >and son and leave her free for him?? Emotions
would have kept him firmly under >Voldemort's wing. Only principles could
send him to Dumbledore to *save* the >Potters and *save* Lily's happiness,
while simultaneously working against his own >private longing to have Lily
for himself.
>Which, of course, makes the fact that Lily herself actually ended up dying >
unnecessarily to save Harry about as horrible an outcome for Snape as you
could >imagine.
>No wonder he hates Harry so much...
Egads, Cap'n, you make a persuasive argument. The Lollipop's grappling irons
have caught hold of my poor, inadequate little anti-ship (so insignificant,
it doesn't even have a name. What would you call an anti-Lollipops vessel
anyway? The 'Sugar-Free Gum' doesn't have quite the same ring to it.) and are
pulling me inexorably closer. But no, I will fight (trying desperately to
sever the ropes), putting off the evil day when I have to eat humble pie and
wondering how long I'll have to scrub the decks and peel the potatoes.
Eloise (who's being extremely irritated by a curly haired little girl who
keeps jumping up and down and singing some inane song about candy in her ear.)
Oh yes, and who also militates against Snape being a vampire, even though she
did have a bit of a thing for vampires once, a long time ago. Adolescence is
a strange thing.
A lot of what is interpreted as vampire evidence could be more general Gothic
stereotyping (visions of Snape playing sinister organ music in his dungeon).
I was interested to note that this particular Snapemyth has made it onto
Gameboy Advance, which has a character saying that Snape never smiles as this
would show his fangs.
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