From HPforGrownups - Draco as Darcy? (Was: Re: FF: Speculation - a matter of perspective)]
vanityfair009
aromano at indiana.edu
Fri May 17 06:58:26 UTC 2002
No: HPFGUIDX 38819
Hi, everybody! I went on hiatus a bit ago while a friend was visiting
and am now stepping back on-board. *waves to everyone* Oh, look, I
see I have perfect timing, as we're in the middle of a discussion
about Darcy!Draco, one of my favourite things!! *grins at Heidi*
I definitely agree with Heidi about the obvious similarities between
Elizabeth and Hermione, and I've always thought that a Draco/Hermione
relationship was possible given canon subtext, particularly on
Draco's end. However I also think you could easily read Draco's
interest in her as a deflection of his obsession with Harry, so I
don't really think the Darcy/Elizabeth parallel is strong enough by
itself to support D/Hr in canon. However, I do completely believe
that the parallels between Draco and Darcy are there for a reason,
intended to support the structure of an eventual Draco reformation.
(*Watches as worms slither out of newly opened can*)
> "marinafrants" <rusalka at i...> wrote:
>
> > While I don't expect any
> > Draco redemption in later books, I'm not going to flatly rule out
> > the possibility, either. But I don't see how it would parallel
> > Pride and Prejudice.
I'm not a D/H shipper (though I wouldn't mind D/H in canon, because
then I could take the approach I take to the Draco Trilogy and aver
that Draco wants Hermione because she's the closest he'll ever get to
having Harry, *sigh*) but I understand and appreciate all of Heidi's
points on this subject because I feel they're vital in understanding
the minds of Redeemed!Draco fans. It's important to remember that
Jane Austen is Rowling's favorite author. She has written thus far
with a consistent awareness of mythological and literary themes.
While Harry is clearly a Campbellian hero, it's harder to place Draco
as an archetypal villain, especially as he has yet to do anything
particularly "evil." It makes much more sense given what we know
about Rowling to view him as a redeemed literary anti-hero.
Looking at the relationship between Harry and Draco from a strictly
literary (read, NON-Slash) view, there are decided similarities to
Pride and Prejudice, which, as I'm sure you know, had the original
title First Impressions.
Harry's first impression of Draco is that he's a stuck-up snob, and
Draco doesn't pay much attention to Harry, either. Upon learning who
Harry is he offers friendship and is rejected. You can view this
moment as parallel to the infamous P&P proposal, but I think the
possibilities are more interesting if you instead view it as a
parallel to Darcy's first offer to dance with Elizabeth, well before
the proposal. She turns him down then, and we then begin a
rivalry/flirtation that lasts for half the novel, just as
Harry/Draco's rivalry has built for half the series.
Consider then that just as the end of Book 4 is the turning point in
the series, and structurally about halfway through, so Darcy's
proposal is about half-way through the novel, and serves as the
moment when he begins to reform. You can view Draco's words on the
train, "You picked the losing side," as a sort of reverse-psychology
proposal. If you're following the parallel to Darcy of P&P, then
it's not implausible to say that this moment will be the turning
point for Draco just as it is for the series as a whole.
Naturally, to make the parallel work there needs to be a similar
turning point for Harry (and Hermione and Ron, but Harry especially
since we're in his point of view). Perhaps that won't come til after
we've laid eyes on the infamous Malfoy Manor, *grin*. But seriously,
J.K.R. has already shown us that Harry's first impressions about
people are often very misleading. Nothing could be more natural
given the way she has set up, as Heidi so clearly outlined, a "series
that's all about choices," and, I would add, a series where given
assumptions about people and their motivations are challenged on a
regular basis.
If after Book 4, JKR continues to develop Draco as a stereotypical
bad boy destined to follow in the footsteps of his father, I for one
will be very surprised.
> It really all comes back to the question of whether you think that
JKR may not leave Draco's character flat out on the road to being an
Evil Death Eater from his first appearance to his last (IMHO, what a
*dead dull* thing to do!). In a series that's all about choices,. and
how each person has to make them for themselves, it just feels like a
tremendous cop-out for her to say that as Draco was born into the
Malfoy family, and grew up strongly (perhaps almost exclusively until
he was 11) influenced by Lucius Malfoy (who is possibly the *most*
evil character in the books), he has no way to go but on the road to
evil. He hasn't really had much opportunity to see things in any
other way (http://groups.yahoo.com/group/HPforGrownups/message/34012)
while at Hogwarts, and I don't think he gets much encouragement at
home to explore different points of view.
*applauds* Exactly, and while I'm jumping tangents, I have to ask
why so many people feel determined to see Draco as a Bastion of Pure
Evil instead of wishing for him an escape from his father's cruelty
and tyranny? If anything, the common theme in literature of sons who
fight to break free of the destiny left to them by their fathers
(Star Wars, Into the Woods, Death of a Salesman, I could go on and
on) is as strong a literary precedent for reformed!Draco as is Jane
Austen.
That's all for me, for now, I think--good to be back...
Aja
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