Did anyone else feel let down by OOP?
emmamariebee
emmamarieb at hotmail.com
Thu Jun 26 00:27:37 UTC 2003
No: HPFGUIDX 63960
--- In HPforGrownups at yahoogroups.com, "John Hatch" <john at s...> wrote:
> -Ron_WizardChess_Weasley writes:
>
<snip from Ron_WizardChess_Weasley> I was just not impressed by OOP
the way I was by the first four books. Maybe it was the lack of
sleep between going to work and trying to stay up late when I got
home to read it but... I was finding that eventually the only reason
I kept turning the pages was to find out who died. In fact the only
part of the book that I did really enjoy was Neville . . . Overall I
felt let down and disappointed. Did anyone else feel the same way?
Let me know.
<snip from John Hatch> First, I will say I think you're brave for
posting this :) Seriously, it is refreshing to know there are people
who won't love something no matter what. Having said that, I can't
say I felt even remotely the same way. I actually thought OOP was
the best of the five books. JKR has written a brilliant tale, IMO. I
loved reading every minute of it. Now, I might argue that this book
wasn't as fun as the others, because of the almost constant presence
of Professor Umbridge, who just made life a living hell for
everyone. However, the fact that I blame Umbridge and not JKR is a
testament to her writing skills. I found myself loathing Umbridge -
not loathing JKR for creating her and taking the story down this
path - I hope that makes sense. John
Me:
Oh, God, I'm really struggling with this one. On the one hand, I
loved the complexity I saw emerging at almost every level: Harry's
struggle with his own demons of anger and self-absorption;
Hermione's precocious and subtle understanding of interpersonal
dynamics that--maddeningly!--doesn't carry over to her black-and-
white assessment of the house-elf situatiion; Ron's longing and
sudden choking on the verge of realizing his dream of being a
quidditch hero; the twins' emergence as real heros (in addition to
being total goof-offs); Ginny's developing wit & wisdom; Neville's
coming into his own.
And then there's Sirius, who got even more complex and then got
bumped off. And I was devastated . . . and then I began to wonder if
I wasn't being toyed with a bit. What was the point of this death
after all? JKR, when she said little else about the book, did make
it a point to let us all know that Someone Was Going to Die. And, as
Ron_WizardChess points out: We all read, breathless, wondering who
it was going to be . . . so might there have been a little element
of Do-Something-Really-Big-To-Really-Get-Their-Attention?
On the other hand, I think like John: the mere fact that I wept as
much as I did at Sirius's passing is, to me, a real testament to her
gifts as a writer--that she could create a character that I could
care that deeply about. So, maybe I'm wondering about the
manipulation factor only because I'm still in the early grieving
stages . . . maybe in a few months, it will all make a little more
sense.
BTW, is anyone else dreading what's in store for Lupin? No family,
shunned by the wizarding community, and now his two dearest friends
murdered . . . I'm scared to death that JKR is winding up for
another zinger here . . .
Em, who swears she's going to have big black dog tatooed over her
heart
More information about the HPforGrownups
archive