Harry Agonistes (was Re: Ever so evil ? was Dumbledore's role in Sirius' death
antoshachekhonte
antoshachekhonte at yahoo.com
Mon May 24 03:33:54 UTC 2004
No: HPFGUIDX 99223
--- In HPforGrownups at yahoogroups.com, "pippin_999" <foxmoth at q...> wrote:
> --- In HPforGrownups at yahoogroups.com, "Geoff Bannister"
> <gbannister10 at a...> wrote:
> > --- In HPforGrownups at yahoogroups.com, "pippin_999"
> <foxmoth at q...>
> > wrote:
> >
> > Pippin:
> > > I think JKR has made a great leap forward in good-vs-evil
> novels. She has dared to make the good side morally complex.
> Unlike Tolkien or Star Wars <<
>
> > Geoff:
> > I think that there are plenty of morally complex characters in
> > Tolkien. <snip examples>. And, again, in the Narnia books,
> what about Edmund in "The Lion, the Witch and the Wardrobe"
> and Eustace Scrubb in "The Voyage of the Dawn Treader"? Not
> such well fleshed out characters but both drawn towards the evil
> side.<
>
> I didn't explain that well. I don't mean that the characters in
> Tolkien, Lewis and Star Wars don't struggle with moral issues.
> What I mean is that when Aragorn says, 'Good and ill have not
> changed since yesteryear; nor are they one thing among Elves
> and Dwarves and another among Men,' nobody thinks he's
> talking nonsense. And a similar sort of universal morality
> prevails in the Star Wars movies: the Jedi have been upholding
> one ideal of peace and freedom accepted across the galaxy for
> thousands of years
>
> But Rowling's world doesn't have that kind of unity.
>
> Pippin
Antosha:
This is an excellent point. I think this is why we're having arguments about ESE!Whomever,
the Good Slytherin, whether Snape is a good guy or not, etc. These novels--unlike those
of Tolkien and Lewis--are humanist. They approach questions of Good and Evil not as
abstract absolutes, but as parts of the human equation. For all that she is a Christian--and
I don't think a humanistic view is incompatible with that--JKR is interested in the
characters working out their problems, not in having the mouths of the gods lay down the
law. Even Dumbledore's end-of-book revelations aren't deus ex machina revelations of
right and wrong; they're simply revelations of the unknown causes of much of what's
happening. (I'm getting kind of tired of those, btw. If, as many surmise, DD bites the
dust--thanks to the Illiad for that phrase--at the end of book six, this will be the one
happy by-product.)
Oh, and it seems to me that part of what sets the original Star Wars head-and-shoulders
above the 'new' trilogy is the humanism in the aspect of Han Solo. He made that series--
you cared more about the rest of them, you believed in their struggles, because of his
moral ambivalence. It's what makes all of the Dashiell Hammett/Raymond Chandler
mysteries so compelling. You knew you liked the hero, but you were never REALLY sure
he'd do the right thing--or if he (or you) were entirely certain what the right thing was.
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