[HPforGrownups] Re: JKR's dealing with emotions /Harry's grief over Sirius - realistic or not?
AnitaKH
anita_hillin at yahoo.com
Fri Feb 3 20:53:12 UTC 2006
No: HPFGUIDX 147559
I tried cutting and pasting other remarks on the thread, then gave up in despair (although I wasn't demonstrative about it...)
As I've been reading parts of this thread, I'm reminded of Jane Austen's Sense and Sensibility, wherein Elinor and Marianne are contrasts in dealing with strong emotion. Austen makes a point of giving Elinor the "stiff upper lip and keep the home fires burning" attitude, while Marianne (and Mrs. Dashwood, for that matter) express, even revel in their grief, first over the death of the girls' father, then in Willoughby's betrayal. Marianne and Mrs. D discount Elinor's suffering because it isn't demonstrated, yet her feelings are at least as deep as theirs. Austen's brilliance is in demonstrating Elinor's controlled behavior and Marianne's over-the-top reactions without making judgment. We see that Elinor's self-control serves her in better stead, but we never wish Marianne were just like Elinor.
In a sense, we can see a parallel with Sirius and Harry in dealing with profound loss. Sirius is, almost literally, mad with grief. When he is captured after the confrontation with PP, he is laughing like a madman. He displays impetuous, indeed sometimes thoughtless, behavior and allows his emotions to dictate his actions, often.
Harry, although no Elinor, shows more restraint in HBP for similar reasons, I believe. He has a larger task at hand, and falling apart in the aftermath of Sirius' death serves no one. We're given a less-controlled Harry in OOP, and we're shown his growth through his increasing self-control in HBP.
I definitely believe that personal experience can't help but color the reaction to JKR's use of controlled grief. Those of us who had to be the "strong" person at a time of profound grief are likely both to understand Harry's reactions and fill in any gaps that may exist in the literal narrative.
So there!
akh, always gleeful when she figures out a way to sneak in Jane Austen references.
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