Cabinet FIRST!
sistermagpie
belviso at attglobal.net
Wed Sep 6 14:58:50 UTC 2006
No: HPFGUIDX 157950
> Sydney:
> If you discount Narcissa's take, you enter the train scene very,
very
> differently, and I think, to the detriment of the arc as it then
plays
> out. First of all, you would have no idea what's going on--
there's
> no dramatic irony because you've decided to ignore what Narcissa
and
> Snape give you. The scene that way is, IMO, less interesting, more
> vague, more just some stuff going on, than something that follows
in
> an interesting way from the scene before. More critically, you
would
> see Draco as actually being part of the Big Plan that he's bragging
> about. He's a *threat*. He really *is* an important DE and not a
> slightly ridiculous 16-year-old. Also, everything is his own
fault--
> it's a 'hoist in his own petard' thing rather than a 'person
oblivious
> to looming threat thing'. There's no start of pity from the
audience
> and his emotional breakdown and Dumbledore's mercy don't follow,
in my
> opinion, as clean a line as if the audience's pity had been
allowed to
> start there.
Magpie:
That's why I think it's also significant that many later ideas that
are built on the Cabinet!First assumption that I've read in this
thread continue shift the element of Draco's personal agency to a
different place. It is his personal decision to act either by going
to Voldemort with the Cabinet Plot or by spilling the beans about
the Cabinet Plot and so giving Voldemort a reason to order Draco to
fix the Cabinet so that he can get DEs into the castle and kill DD
that is his biggest contribution to the plot. (One that nobody ever
deals with, though to me it would seem totally central to
everything.)
So in this version Draco's own personal, unique action is important
in causing Voldemort to make a plan to kill Dumbledore via getting
DEs into the school. (The alternate methods of killing Dumbledore
are either irrational acts on Draco's part since he's been ordered
to fix the Cabinets, or Draco proving that the Cabinet Plan couldn't
be his own because the fact that he does them when the Cabinets
don't get fixed fast enough means he really would have done them
first all along if Voldemort hadn't taken him by the hand and said
to fix the Cabinets and then kill DD.)
The place where it seems to me Draco's uniqueness comes in is
*after* he's been given the task. That, to me, goes right along
with JKR's usual view of the second generation. Every time older
people try to manipulate younger people they just never are what the
older person is so sure they are--because they're new, individual
people. That's, imo, part of the hopefulness of the series.
Whenever people try to make parallels to the last generation they
never quite work--Neville might be a nebbish like Peter, but this
one surprises with acts of bravery after being isolated while Peter
was tough when he was with stronger people and folded when he was
alone. Remus Lupin might keep things quiet to keep his friends
since he's been friendless, but Hermione Granger doesn't have to
make the same choice.
The Cabinet follows wonderfully from that: Both Voldemort's plan AND
Dumbledore's and possibly Snape's plans are messed up simply because
this kid, when tested, turns out to not be quite the kid in quite
the situation that everyone can imagine. He happens to have heard
about what it's like in the Broken Vanishing Cabinet *because he's a
kid* and so among those listening to Montague's tales of escape.
His mind happened to make a deduction that nobody else's made for
whatever reason. (It's the type of thing Hermione would have
realized and kept to herself until she could use it.) He had
personal reasons for not wanting Snape to help him with it. Then
when he gets a taste of murder he's got more reason to hide things
from Snape--but also a reason to persevere with the Cabinet because
that is his reaction to the threat to himself and his family.
Basically, the whole story turns on how, once again, it's harder
than you think to manipulate a young man who's never been tested,
because it's only in the testing you're going to find these things
out. (And Draco throughout canon is always very adamantly not
tested-He's not like Neville or the Trio who have already found
themselves in difficult situations out of which they couldn't get).
Dumbledore says it's our choices that show who we are, and this
story seems to be a lot about that. If the choice Draco makes is
simply to go to Voldemort or open his mouth to Voldemort to get
revenge or get power, then no matter what his success with the
Cabinet is he's still just the same thing he was, a cog in
Voldemort's machine who put himself there like most people do and is
doing Voldemort's bidding. His being able to fix the Cabinet (as
opposed to being able to kill or unable to kill) isn't a revelation
about character, it's just a mundane shop project it's not so
shocking he could accomplish. It also, as I said, puts Dumbledore in
the position of praising Draco for the very thing he used to cause
all the mess, and for fulfilling a straightforward task for
Voldemort instead of being able to praise the Cabinet Plan as part
of making Draco value himself as an individual who doesn't need to
impress Voldemort. Voldemort sees Draco as only the offspring of
the adult Lucius. Dumbledore sees Draco as an important individual
in himself even at 16.
Which is why I keep harping on this subject. Not only because
everyone's words and actions in canon support it (and without
contradiction why wouldn't I take that dialogue as exposition?), but
because as a story arc these changes muddy what's clear and weaken
what's strong.
And what I'd actually love to talk about to bring it back to Snape,
is Snape's reaction to this! I mean, I agree with I think it was
you who said Snape's probably going crazy watching Dumbledore let
Draco make his own mistakes instead of just letting Snape step in.
For all I think Snape is loyal to DD he's never understood this in
him. But he does it. What I wonder is, given that Snape has always
been linked to this kid (though fandom has very often not taken that
at face value and assumed Snape was just pretending to like Draco
and sometimes hate Harry as part of his spy cover) and has been
playing his DE mentor all this time, how surprised is he at this?
He's shown looking afraid at the Christmas party--is he less
confident that there's nothing to fear from Draco just because he's
an unknown quantity? He's bound up in all this, after all. He
himself became a DE--how does he see Draco as one? Has he always
just seen him as a joke in that regard, somebody who obviously
didn't have the stomach for this sort of thing? Did he think he
could avoid ever having to face him trying it out? Did his "sudden
move" when Harry named Lucius as one of the DEs indicate Snape
thought that would be bad for him (Snape)?
-m
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