The Fundamental Message.../ Heroes...
houyhnhnm102
celizwh at intergate.com
Sat Sep 1 16:47:22 UTC 2007
No: HPFGUIDX 176530
Betsy Hp:
> There's that big tree again. ;-) It's impossible for me
> to overlook the exclusion of Slytherin house. Not after
> Dumbledore has witnessed the evil that either its presence
> at the school (going with the "Slytherins *are* bad" view
> of the books), or its designation as Hogwarts' scapegoat
> (going by how my personal view still insists on subverting
> the text) caused so much pain in the WW.
houyhnhnm:
I don't think it's a matter of your personal view subverting
the text. The contradictions are right there *within* the
text. Over and over Rowling tells us one thing and shows
something else. See below.
lizzyben:
> The text insists that Snape was becoming a dangerous
> "Dark Wizard", but it doesn't actually show Snape using
> magic to bully or hurt people. Instead, it actually
> *shows* the Marauders using illegal hexes, curses, jinxes,
> advanced restricted magic, and Dark magical items. So
> who's the real "Dark Wizard" here?
houyhnhnm:
The "epitome of goodness" himself seems to have a
penchant for projecting less than admirable Gryffindor
traits onto Slytherin. He tells Harry at the end of CoS
that Harry has characteristics Salazar Slytherin prized
in his students including "a certain disregard for rules."
When, pray tell do we *see* Slytherins betraying a disregard
for rules? Draco sneaked out after curfew to find out what
the Trio was up to in PS/SS. And Snape did the same with
the Marauders. Those are about the only examples I can
think of. The list of infractions committed by HRH and
Marauders is too long to go into. I guess the difference
between Slytherin and Gryffindor is the difference between
a certain disregard for rules and a total disregard for rules.
These are just a couple of examples in a long list of
discepancies between what is told and what is shown that
pervade the Harry Potter series. Up until the last book,
I thought Rowling was engaging in some kind of sophisticated
literary dialectic. Apparently not.
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